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Introduction

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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 2 Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects. Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
    Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects.

    Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
  • Image 3 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 4 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 5 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 6 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 7 Profile of a Hoysala temple at Somanathapura Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct. Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
    Profile of a Hoysala temple at Somanathapura

    Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. These three temples were accorded UNESCO world heritage site status in 2023. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct.

    Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
  • Image 8 Shah in 2022 Shefali Shah (née Shetty; born 22 May 1973) is an Indian actress of film, television and theatre. Working primarily in independent Hindi films, she has received multiple local and foreign accolades for her performances. Shah's acting career started on the Gujarati stage before she debuted on television in 1993. After small parts on television and a brief stint with cinema in Rangeela (1995), she gained wider recognition in 1997 for her role in the popular series Hasratein. This was followed by lead roles in the TV series Kabhie Kabhie (1997) and Raahein (1999). A supporting role in the crime film Satya (1998) won her positive notice and a Filmfare Critics Award, and she soon shifted her focus to film acting starting with a lead role in the Gujarati drama Dariya Chhoru (1999). Shah was selective about her roles through the following decades, resulting in intermittent film work, mostly in character parts and often to appreciation from critics. She appeared in the international co-production Monsoon Wedding (2001) and the mainstream comedy-drama Waqt: The Race Against Time (2005). In 2007, her portrayal of Kasturba Gandhi in the biographical drama Gandhi, My Father won her the Best Actress prize at the Tokyo International Film Festival, and she received the National Film Award for Best Supporting Actress for the drama film The Last Lear. Among her subsequent film roles, she played a leading part in Kucch Luv Jaisaa (2011) and was noted for her work in the social problem film Lakshmi (2014) and the ensemble drama Dil Dhadakne Do (2015). (Full article...)

    Shah in 2022

    Shefali Shah (née Shetty; born 22 May 1973) is an Indian actress of film, television and theatre. Working primarily in independent Hindi films, she has received multiple local and foreign accolades for her performances. Shah's acting career started on the Gujarati stage before she debuted on television in 1993. After small parts on television and a brief stint with cinema in Rangeela (1995), she gained wider recognition in 1997 for her role in the popular series Hasratein. This was followed by lead roles in the TV series Kabhie Kabhie (1997) and Raahein (1999). A supporting role in the crime film Satya (1998) won her positive notice and a Filmfare Critics Award, and she soon shifted her focus to film acting starting with a lead role in the Gujarati drama Dariya Chhoru (1999).

    Shah was selective about her roles through the following decades, resulting in intermittent film work, mostly in character parts and often to appreciation from critics. She appeared in the international co-production Monsoon Wedding (2001) and the mainstream comedy-drama Waqt: The Race Against Time (2005). In 2007, her portrayal of Kasturba Gandhi in the biographical drama Gandhi, My Father won her the Best Actress prize at the Tokyo International Film Festival, and she received the National Film Award for Best Supporting Actress for the drama film The Last Lear. Among her subsequent film roles, she played a leading part in Kucch Luv Jaisaa (2011) and was noted for her work in the social problem film Lakshmi (2014) and the ensemble drama Dil Dhadakne Do (2015). (Full article...)
  • Image 9 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 10 Kapoor in 2017 Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is a former Indian actress who worked in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. One of the highest-paid Hindi film actresses in the 2010s, Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016. Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)

    Kapoor in 2017

    Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is a former Indian actress who worked in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. One of the highest-paid Hindi film actresses in the 2010s, Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016.

    Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)
  • Image 11 Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance. In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
    Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance.

    In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
  • Image 12 The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India. There were two main events contested at the Chess Olympiad—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
    The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of Open and Women's tournaments, as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India.

    There were two main events contested at the Chess Olympiad—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
  • Image 13 The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British Raj from 1799 to 1947, marked in-between by major political changes. The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)

    The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British Raj from 1799 to 1947, marked in-between by major political changes.

    The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)
  • Image 14 A stallion The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait. The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)

    A stallion

    The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait.

    The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)
  • Image 15 Cyclone 04B at peak intensity near landfall The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day. The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)

    Cyclone 04B at peak intensity near landfall

    The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day.

    The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)
  • Image 16 Greatest extent of the Chalukya Empire, 636 AD, 740 AD The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century. The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)

    Greatest extent of the Chalukya Empire, 636 AD, 740 AD

    The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century.

    The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)
  • Image 17 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 18 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
  • Image 19 Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder. The film focuses on raising awareness about autism and psychiatric disability in children. Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
    Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder. The film focuses on raising awareness about autism and psychiatric disability in children.

    Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
  • Image 20 Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males. The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...)

    Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males.

    The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...)
  • Image 21 Poore pictured in 1899 Brigadier-General Robert Montagu Poore, CIE, DSO, DL, JP (20 March 1866 – 14 July 1938) was an Anglo-Irish cricketer and British Army officer who, while serving in South Africa in 1896, played in three Test matches for the South African cricket team. He featured most prominently in first-class cricket playing county cricket in England for Hampshire between 1898 and 1906, where he gained a reputation as a batsman, having notable success in 1899 when he was the highest first-class run-scorer in England. Alongside playing for Hampshire, Poore also played first-class cricket in India for the Europeans in the Bombay Presidency Matches. An all-round sportsman, he was also a capable swordsman, and polo, tennis, racquets, and squash player, in addition to being a skilled marksman. Poore had success in the Royal Naval and Military Tournaments, being adjudged the best man-at-arms on four occasions. Poore began his military service in the Volunteer Force with the 3rd (Royal Wiltshire Militia) Battalion of the Wiltshire Regiment in 1883, before gaining a regular commission in the British Army in 1886. From there, he transferred to the 7th Hussars in the same year and shortly after served in British India, where he was aide-de-camp to the Governor of Bombay. Poore served in the Second Matabele War in Southern Africa and later in the Second Boer War from 1899 to 1902, during which he was seconded to the Mounted Military Police and served as provost marshal at Army Headquarters Pretoria. In this role, he played an important part in investigating and recording the war–crimes trial and execution of Breaker Morant and Peter Handcock. Decorated with the Distinguished Service Order during the war, Poore later returned to the Hussars and served in the First World War between 1914 and 1918, commanding the Jhansi Brigade of the British Indian Army from 1915, for which he was made a Companion of the Order of the Indian Empire in 1918. He retired from active military service in 1921. In later life, he was a deputy lieutenant for Dorset. (Full article...)

    Poore pictured in 1899

    Brigadier-General Robert Montagu Poore, CIE, DSO, DL, JP (20 March 1866 – 14 July 1938) was an Anglo-Irish cricketer and British Army officer who, while serving in South Africa in 1896, played in three Test matches for the South African cricket team. He featured most prominently in first-class cricket playing county cricket in England for Hampshire between 1898 and 1906, where he gained a reputation as a batsman, having notable success in 1899 when he was the highest first-class run-scorer in England. Alongside playing for Hampshire, Poore also played first-class cricket in India for the Europeans in the Bombay Presidency Matches. An all-round sportsman, he was also a capable swordsman, and polo, tennis, racquets, and squash player, in addition to being a skilled marksman. Poore had success in the Royal Naval and Military Tournaments, being adjudged the best man-at-arms on four occasions.

    Poore began his military service in the Volunteer Force with the 3rd (Royal Wiltshire Militia) Battalion of the Wiltshire Regiment in 1883, before gaining a regular commission in the British Army in 1886. From there, he transferred to the 7th Hussars in the same year and shortly after served in British India, where he was aide-de-camp to the Governor of Bombay. Poore served in the Second Matabele War in Southern Africa and later in the Second Boer War from 1899 to 1902, during which he was seconded to the Mounted Military Police and served as provost marshal at Army Headquarters Pretoria. In this role, he played an important part in investigating and recording the war–crimes trial and execution of Breaker Morant and Peter Handcock. Decorated with the Distinguished Service Order during the war, Poore later returned to the Hussars and served in the First World War between 1914 and 1918, commanding the Jhansi Brigade of the British Indian Army from 1915, for which he was made a Companion of the Order of the Indian Empire in 1918. He retired from active military service in 1921. In later life, he was a deputy lieutenant for Dorset. (Full article...)
  • Image 22 Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed] Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
    Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed]

    Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
  • Image 23 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 24 Portrait by Rudolf Swoboda, 1888 Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)

    Portrait by Rudolf Swoboda, 1888

    Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 25 Ranaut in 2024 Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker, and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and four Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award. At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles. (Full article...)

    Ranaut in 2024

    Kangna Amardeep Ranaut (pronounced [kəŋɡənaː raːɳoːʈʰ]; born 23 March 1986) is an Indian actress, filmmaker, and politician serving as a Member of Parliament, Lok Sabha from Mandi since June 2024. Known for her portrayals of strong-willed, unconventional women in female-led Hindi films, she is the recipient of several awards, including four National Film Awards and four Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award.

    At the age of sixteen, Ranaut briefly took up modelling before being trained under theatre director Arvind Gaur. She made her film debut in the 2006 thriller Gangster, for which she was awarded the Filmfare Award for Best Female Debut, and received praise for portraying emotionally intense characters in the dramas Woh Lamhe... (2006), Life in a... Metro (2007) and Fashion (2008). For the last of these, she won the National Film Award for Best Supporting Actress. She appeared in the commercially successful films Raaz: The Mystery Continues (2009) and Once Upon a Time in Mumbaai (2010) but was criticised for being typecast in neurotic roles. A comic role in Tanu Weds Manu (2011) was well-received, though this was followed by a series of brief, glamorous roles. (Full article...)
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This is a Featured list, which the Wikipedia community considers to be the best lists on English Wikipedia.
  • Image 1 Test cricket is the longest form of cricket. The women's variant of the game includes four innings to be completed over four days of play with eleven players in each side. The first women's Test was played between England and Australia in 1934. However, India did not play Test cricket until 1973 when the Women's Cricket Association of India was formed. The Indian women's team played their first Test match in 1976, against the West Indies. The Women's Cricket Association of India was merged with the Board of Control for Cricket in India in 2006 as part of the International Cricket Council's initiative to develop women's cricket. India have played 41 Tests, starting with their first Test in 1976. They first won a Test in Patna (1976), in front of over 25,000 spectators, against the West Indies but did not win again until 2002, when they won against South Africa. The team has remained unbeaten since 2006, over the course of three Test matches. (Full article...)
    Test cricket is the longest form of cricket. The women's variant of the game includes four innings to be completed over four days of play with eleven players in each side. The first women's Test was played between England and Australia in 1934. However, India did not play Test cricket until 1973 when the Women's Cricket Association of India was formed. The Indian women's team played their first Test match in 1976, against the West Indies. The Women's Cricket Association of India was merged with the Board of Control for Cricket in India in 2006 as part of the International Cricket Council's initiative to develop women's cricket.

    India have played 41 Tests, starting with their first Test in 1976. They first won a Test in Patna (1976), in front of over 25,000 spectators, against the West Indies but did not win again until 2002, when they won against South Africa. The team has remained unbeaten since 2006, over the course of three Test matches. (Full article...)
  • Image 2 Yash Chopra, the founder of Yash Raj Films, pictured in 2012. He directed 13 films for the company between 1973 and 2012. Yash Raj Films (abbreviated as YRF) is an Indian entertainment company, established by filmmaker Yash Chopra in 1970, that produces and distributes motion pictures. As of 2022, the company has produced over 80 Hindi films and one Tamil film. YRF started a film distribution business in 1997; in addition to distributing their own productions, the company has handled the domestic and/or international distribution of over 50 films from other companies. The most frequent collaborations of the company have been with the actors Rani Mukerji, Rishi Kapoor, Shah Rukh Khan, Anushka Sharma, Katrina Kaif, and Saif Ali Khan. YRF's first release came in 1973 with the Chopra-directed Daag, a drama about bigamy, starring Rajesh Khanna, Raakhee and Sharmila Tagore. The company had four more releases in the 1970s, including the ensemble romantic drama Kabhi Kabhie and the action film Kaala Patthar, both of which starred Amitabh Bachchan and Raakhee. YRF's sole commercial success in the 1980s was the Sridevi-starring romantic musical Chandni. The year 1995 marked the directorial debut of Chopra's elder son Aditya Chopra with the highly successful romantic drama Dilwale Dulhania Le Jayenge. Starring Shahrukh Khan and Kajol, the film has the longest theatrical run in Indian cinema history. Other successful releases of the 1990s were Darr (1993) and Dil To Pagal Hai (1997), both starring Khan. (Full article...)
    Yash Chopra is standing with his hands in his pockets, and looking away from the camera
    Yash Chopra, the founder of Yash Raj Films, pictured in 2012. He directed 13 films for the company between 1973 and 2012.

    Yash Raj Films (abbreviated as YRF) is an Indian entertainment company, established by filmmaker Yash Chopra in 1970, that produces and distributes motion pictures. As of 2022, the company has produced over 80 Hindi films and one Tamil film. YRF started a film distribution business in 1997; in addition to distributing their own productions, the company has handled the domestic and/or international distribution of over 50 films from other companies. The most frequent collaborations of the company have been with the actors Rani Mukerji, Rishi Kapoor, Shah Rukh Khan, Anushka Sharma, Katrina Kaif, and Saif Ali Khan.

    YRF's first release came in 1973 with the Chopra-directed Daag, a drama about bigamy, starring Rajesh Khanna, Raakhee and Sharmila Tagore. The company had four more releases in the 1970s, including the ensemble romantic drama Kabhi Kabhie and the action film Kaala Patthar, both of which starred Amitabh Bachchan and Raakhee. YRF's sole commercial success in the 1980s was the Sridevi-starring romantic musical Chandni. The year 1995 marked the directorial debut of Chopra's elder son Aditya Chopra with the highly successful romantic drama Dilwale Dulhania Le Jayenge. Starring Shahrukh Khan and Kajol, the film has the longest theatrical run in Indian cinema history. Other successful releases of the 1990s were Darr (1993) and Dil To Pagal Hai (1997), both starring Khan. (Full article...)
  • Image 3 Thani Oruvan is a 2015 Indian Tamil-language action thriller film directed by Mohan Raja, who also co-wrote the screenplay and dialogues with the duo Subha. The film features Jayam Ravi, Arvind Swami and Nayanthara in the lead roles. Thambi Ramaiah, Ganesh Venkatraman, Mugdha Godse and Nassar play supporting roles. The film's story focuses on Mithran (Ravi), an IPS officer, who learns of the plans of scientist and businessman Siddharth Abhimanyu (Swami) to sabotage a deal to make generic medicines available at low cost for poor people. Siddharth succeeds in his plan and begins indulging in a game of cat and mouse with Mithran. The rest of the story revolves around how Mithran overcomes the obstacles set by Siddharth. Produced by Kalpathi S. Aghoram, Kalpathi S. Ganesh and Kalpathi S. Suresh under their company AGS Entertainment, the film's soundtrack and score were composed by Hiphop Tamizha. Ramji and Gopi Krishna handled the cinematography and editing respectively. Made on a budget of ₹200 million, Thani Oruvan was released on 28 August 2015 and received positive reviews. It was commercially successful, grossing ₹1.05 billion worldwide. The film won 21 awards from 37 nominations; its direction, story, screenplay, performances of the cast members and music have received the most attention from award groups. (Full article...)

    Thani Oruvan is a 2015 Indian Tamil-language action thriller film directed by Mohan Raja, who also co-wrote the screenplay and dialogues with the duo Subha. The film features Jayam Ravi, Arvind Swami and Nayanthara in the lead roles. Thambi Ramaiah, Ganesh Venkatraman, Mugdha Godse and Nassar play supporting roles. The film's story focuses on Mithran (Ravi), an IPS officer, who learns of the plans of scientist and businessman Siddharth Abhimanyu (Swami) to sabotage a deal to make generic medicines available at low cost for poor people. Siddharth succeeds in his plan and begins indulging in a game of cat and mouse with Mithran. The rest of the story revolves around how Mithran overcomes the obstacles set by Siddharth. Produced by Kalpathi S. Aghoram, Kalpathi S. Ganesh and Kalpathi S. Suresh under their company AGS Entertainment, the film's soundtrack and score were composed by Hiphop Tamizha. Ramji and Gopi Krishna handled the cinematography and editing respectively.

    Made on a budget of ₹200 million, Thani Oruvan was released on 28 August 2015 and received positive reviews. It was commercially successful, grossing ₹1.05 billion worldwide. The film won 21 awards from 37 nominations; its direction, story, screenplay, performances of the cast members and music have received the most attention from award groups. (Full article...)
  • Image 4 Jawaharlal Nehru Stadium as it appeared in July 2010, was the main venue for the 1982 Asiad. The 1982 Asian Games (also known as the IX Asiad)[a] was a multi-sport event held in Delhi, India, from 12 November to 4 December 1982. A total of 3,411 athletes from 33 National Olympic Committees (NOCs) participated in these games, competing in 147 events in 21 sports and 22 disciplines. The number of participating countries was the greatest in Asian Games history. Sport events of handball, equestrian, rowing and golf were included for the first time; while fencing and bowling were excluded. This medal table ranks the participating NOCs by the number of gold medals won by their athletes. Athletes from 23 participating NOCs won at least one medal; athletes from 16 of these NOCs secured at least one gold. Athletes from China won 61 gold medals, the most of any nation at these Asiad, and led the gold-medal count for the first time in their Asiad history. Japan had won the greatest number of medals in previous editions of the Games. China first competed at the Asian Games in 1974, in Tehran, where it finished third. Athletes from both China and Japan won the most total medals with 153. China has secured the top medal spot in every Asiad since 1982. South Korea finished third in total medals. North Korea finished fifth in total medals, and fourth in the gold-medal count. Host nation India finished the games with 57 medals overall (13 gold, 19 silver and 25 bronze, its best performance since 1951), in fifth spot in terms of total gold medals. (Full article...)
    A multipurpose sports arena located in Delhi
    Jawaharlal Nehru Stadium as it appeared in July 2010, was the main venue for the 1982 Asiad.

    The 1982 Asian Games (also known as the IX Asiad)[a] was a multi-sport event held in Delhi, India, from 12 November to 4 December 1982. A total of 3,411 athletes from 33 National Olympic Committees (NOCs) participated in these games, competing in 147 events in 21 sports and 22 disciplines. The number of participating countries was the greatest in Asian Games history. Sport events of handball, equestrian, rowing and golf were included for the first time; while fencing and bowling were excluded. This medal table ranks the participating NOCs by the number of gold medals won by their athletes.

    Athletes from 23 participating NOCs won at least one medal; athletes from 16 of these NOCs secured at least one gold. Athletes from China won 61 gold medals, the most of any nation at these Asiad, and led the gold-medal count for the first time in their Asiad history. Japan had won the greatest number of medals in previous editions of the Games. China first competed at the Asian Games in 1974, in Tehran, where it finished third. Athletes from both China and Japan won the most total medals with 153. China has secured the top medal spot in every Asiad since 1982. South Korea finished third in total medals. North Korea finished fifth in total medals, and fourth in the gold-medal count. Host nation India finished the games with 57 medals overall (13 gold, 19 silver and 25 bronze, its best performance since 1951), in fifth spot in terms of total gold medals. (Full article...)
  • Image 5 Adam Gilchrist was a captain of KXIP in 2011–2013. Punjab Kings, formerly called Kings XI Punjab (KXIP), is a franchise cricket team based in Mohali, Punjab in India, and is one of the teams participating in the Indian Premier League (IPL). KXIP was founded in 2008. The franchise is owned by actress Preity Zinta, Ness Wadia of Bombay Dyeing, Karan Paul of the Apeejay Surendera Group and Mohit Burman of Dabur. The group paid US$76 million to acquire the franchise. It is owned by a consortium, along with the Rajasthan Royals. Along with the Rajasthan Royals, KXIP's franchise agreement was terminated by the Board of Control for Cricket in India (BCCI) in October 2010, because the teams had been signed by people who were not members of the consortium which owned the team. A petition of arbitration (appeal) was filed to the Bombay High Court in November 2010, challenging the decision, which was accepted a month later. KXIP played their first Twenty20 match in 2008 during the first season of the IPL, where they reached the semi-final. They lost the 2008 semi-final to Chennai Super Kings on 31 May 2008, after playing fourteen matches in the league, winning ten matches and losing four. With ten international cricketers in 2009, they finished fifth in the second season of the IPL, winning and losing seven matches. KXIP finished in eighth place in the third IPL season, losing eleven of their fourteen matches. KXIP improved in the fourth season of the IPL, finishing in fifth place with seven losses and victories. In the IPL's fifth season in 2012, the team played sixteen matches, winning eight and losing nine to finish in sixth position. In the 2013 season, they won eight matches out of sixteen, and lost the other eight. In the 2014 season, they won 11 of 14 matches. In the 2015 season, KXIP won three of fourteen matches and finished in last position. In the IPL's ninth season, KXIP won four of fourteen matches and finished in last position. In the 2017 season, KXIP won seven of fourteen matches to finish in fifth position. (Full article...)
    A man in a black suit.
    Adam Gilchrist was a captain of KXIP in 2011–2013.

    Punjab Kings, formerly called Kings XI Punjab (KXIP), is a franchise cricket team based in Mohali, Punjab in India, and is one of the teams participating in the Indian Premier League (IPL). KXIP was founded in 2008. The franchise is owned by actress Preity Zinta, Ness Wadia of Bombay Dyeing, Karan Paul of the Apeejay Surendera Group and Mohit Burman of Dabur. The group paid US$76 million to acquire the franchise. It is owned by a consortium, along with the Rajasthan Royals. Along with the Rajasthan Royals, KXIP's franchise agreement was terminated by the Board of Control for Cricket in India (BCCI) in October 2010, because the teams had been signed by people who were not members of the consortium which owned the team. A petition of arbitration (appeal) was filed to the Bombay High Court in November 2010, challenging the decision, which was accepted a month later.

    KXIP played their first Twenty20 match in 2008 during the first season of the IPL, where they reached the semi-final. They lost the 2008 semi-final to Chennai Super Kings on 31 May 2008, after playing fourteen matches in the league, winning ten matches and losing four. With ten international cricketers in 2009, they finished fifth in the second season of the IPL, winning and losing seven matches. KXIP finished in eighth place in the third IPL season, losing eleven of their fourteen matches. KXIP improved in the fourth season of the IPL, finishing in fifth place with seven losses and victories. In the IPL's fifth season in 2012, the team played sixteen matches, winning eight and losing nine to finish in sixth position. In the 2013 season, they won eight matches out of sixteen, and lost the other eight. In the 2014 season, they won 11 of 14 matches. In the 2015 season, KXIP won three of fourteen matches and finished in last position. In the IPL's ninth season, KXIP won four of fourteen matches and finished in last position. In the 2017 season, KXIP won seven of fourteen matches to finish in fifth position. (Full article...)
  • Image 6 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1954–1959 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. The original specification of the award was a circle made of standard silver 1+3⁄8 inches (35 mm) in diameter, with rims on both the sides. A centrally located lotus flower was embossed on the obverse side of the medal and the text "Padma Vibhushan" written in Devanagari script was inscribed above the lotus along the upper edge of the medal. A floral wreath was embossed along the lower edge and a lotus wreath at the top along the upper edge. The State Emblem of India was placed in the centre of the reverse side with the text "Desh Seva" in Devanagari Script on the lower edge. The medal was suspended by a pink riband 1+1⁄4 inches (32 mm) in width divided into three equal segments by two white vertical lines. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1954–1959 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. The original specification of the award was a circle made of standard silver 1+3⁄8 inches (35 mm) in diameter, with rims on both the sides. A centrally located lotus flower was embossed on the obverse side of the medal and the text "Padma Vibhushan" written in Devanagari script was inscribed above the lotus along the upper edge of the medal. A floral wreath was embossed along the lower edge and a lotus wreath at the top along the upper edge. The State Emblem of India was placed in the centre of the reverse side with the text "Desh Seva" in Devanagari Script on the lower edge. The medal was suspended by a pink riband 1+1⁄4 inches (32 mm) in width divided into three equal segments by two white vertical lines. (Full article...)
  • Image 7 Location of Tripura (highlighted in red) within India The Tripura Legislative Assembly is the unicameral legislature of the state of Tripura, in Northeast India. The seat of the legislative assembly is at Agartala, the capital of the state. The assembly sits for a term of five years, unless it is dissolved earlier. Tripura is the third-smallest state in India, covering 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. The Tripura Legislative Assembly has existed since 1963, when it had 30 constituencies. As of the 2023 elections, it has 60 constituencies. Since the independence of India, the Scheduled Castes (SC) and Scheduled Tribes (ST) have been given Reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for SCs and STs. The 2011 census of India stated that indigenous people constitute 32% of the state's total population. The Scheduled Tribes have been granted a reservation of 20 seats in the assembly, while 10 constituencies are reserved for candidates of the Scheduled Castes. (Full article...)
    Location of Tripura within India
    Location of Tripura (highlighted in red) within India


    The Tripura Legislative Assembly is the unicameral legislature of the state of Tripura, in Northeast India. The seat of the legislative assembly is at Agartala, the capital of the state. The assembly sits for a term of five years, unless it is dissolved earlier. Tripura is the third-smallest state in India, covering 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. The Tripura Legislative Assembly has existed since 1963, when it had 30 constituencies. As of the 2023 elections, it has 60 constituencies.

    Since the independence of India, the Scheduled Castes (SC) and Scheduled Tribes (ST) have been given Reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for SCs and STs. The 2011 census of India stated that indigenous people constitute 32% of the state's total population. The Scheduled Tribes have been granted a reservation of 20 seats in the assembly, while 10 constituencies are reserved for candidates of the Scheduled Castes. (Full article...)
  • Image 8 Mukerji in 2021 Hindi film actress Rani Mukerji made her screen debut in Biyer Phool (1996), a Bengali film directed by her father Ram Mukherjee. Her first leading role was that of a rape victim in the 1996 social drama Raja Ki Aayegi Baaraat. In 1998 she received wider recognition for her role alongside Aamir Khan in the action film Ghulam, and had her breakthrough as the romantic interest of Shah Rukh Khan's character in the romantic drama Kuch Kuch Hota Hai. The latter earned Mukerji her first Filmfare Award in the Best Supporting Actress category. She followed this by playing the leading lady in several films, including Hello Brother (1999) and Nayak: The Real Hero (2001), none of which helped propel her career forward. Mukerji's career prospects improved in 2002 when she starred in Yash Raj Films' Saathiya, a romantic drama that gained her a Filmfare Critics Award for Best Actress. For her roles in the 2004 romantic comedy Hum Tum and the composite drama Yuva, Mukerji became the only actress to win both the Filmfare Award for Best Actress and Best Supporting Actress, respectively, in the same year. Also that year, she starred in Veer-Zaara—the highest-grossing Bollywood film of the year. In 2005, she received praise for portraying a blind, deaf and mute woman in the drama Black, and played a con woman in the crime comedy film Bunty Aur Babli. For her performance in Black, she was awarded the Best Actress and Best Actress (Critics) trophies at Filmfare. The following year, she played an unhappily married woman in the drama Kabhi Alvida Naa Kehna — the top-grossing Bollywood film in overseas at that point. (Full article...)
    Mukerji in 2021


    Hindi film actress Rani Mukerji made her screen debut in Biyer Phool (1996), a Bengali film directed by her father Ram Mukherjee. Her first leading role was that of a rape victim in the 1996 social drama Raja Ki Aayegi Baaraat. In 1998 she received wider recognition for her role alongside Aamir Khan in the action film Ghulam, and had her breakthrough as the romantic interest of Shah Rukh Khan's character in the romantic drama Kuch Kuch Hota Hai. The latter earned Mukerji her first Filmfare Award in the Best Supporting Actress category. She followed this by playing the leading lady in several films, including Hello Brother (1999) and Nayak: The Real Hero (2001), none of which helped propel her career forward.

    Mukerji's career prospects improved in 2002 when she starred in Yash Raj Films' Saathiya, a romantic drama that gained her a Filmfare Critics Award for Best Actress. For her roles in the 2004 romantic comedy Hum Tum and the composite drama Yuva, Mukerji became the only actress to win both the Filmfare Award for Best Actress and Best Supporting Actress, respectively, in the same year. Also that year, she starred in Veer-Zaara—the highest-grossing Bollywood film of the year. In 2005, she received praise for portraying a blind, deaf and mute woman in the drama Black, and played a con woman in the crime comedy film Bunty Aur Babli. For her performance in Black, she was awarded the Best Actress and Best Actress (Critics) trophies at Filmfare. The following year, she played an unhappily married woman in the drama Kabhi Alvida Naa Kehna — the top-grossing Bollywood film in overseas at that point. (Full article...)
  • Image 9 Antennas at a ham operator's station in Chennai, India. Amateur radio or ham radio is a hobby that is practised by over 16,000 licensed users in India. Licences are granted by the Wireless and Planning and Coordination Wing (WPC), a branch of the Ministry of Communications and Information Technology. In addition, the WPC allocates frequency spectrum in India. The Indian Wireless Telegraphs (Amateur Service) Rules, 1978 lists five licence categories: To obtain a licence, candidates must pass the Amateur Station Operator's Certificate examination conducted by the WPC. The examination consists of two 50-mark written sections: Radio theory and practice, Regulations; and a practical test consisting of a demonstration of Morse code proficiency in sending and receiving. After passing the examination, the candidate must clear a police interview. After clearance, the WPC grants the licence along with the user-chosen call sign. This procedure can take up to one year. This licence is valid for up to five years. (Full article...)
    Thin, black, straight wires intersecting at various points protruding from a grey building or else from each other with a blue sky in the background
    Antennas at a ham operator's station in Chennai, India.


    Amateur radio or ham radio is a hobby that is practised by over 16,000 licensed users in India.
    Licences are granted by the Wireless and Planning and Coordination Wing (WPC), a branch of the Ministry of Communications and Information Technology. In addition, the WPC allocates frequency spectrum in India. The Indian Wireless Telegraphs (Amateur Service) Rules, 1978 lists five licence categories:

    To obtain a licence, candidates must pass the Amateur Station Operator's Certificate examination conducted by the WPC. The examination consists of two 50-mark written sections: Radio theory and practice, Regulations; and a practical test consisting of a demonstration of Morse code proficiency in sending and receiving. After passing the examination, the candidate must clear a police interview. After clearance, the WPC grants the licence along with the user-chosen call sign. This procedure can take up to one year. This licence is valid for up to five years. (Full article...)
  • Image 10 The Victoria Cross The Victoria Cross (VC) was awarded to 153 members of the British Indian Army and civilians under its command, from 1857 until independence in 1947. The Victoria Cross is a military decoration awarded for valour "in the face of the enemy" to members of armed forces of some Commonwealth countries and previous British Empire territories. It takes precedence over all other Orders, decorations and medals. It may be awarded to a person of any rank in any service and to civilians under military command. The VC is traditionally presented to the recipient by the British monarch during an investiture at Buckingham Palace, though in a large number of cases this was not possible and it was presented in the field by a prominent civil or military official. The VC was introduced in Great Britain on 29 January 1856 by Queen Victoria to reward acts of valour during the Crimean War. Indian troops were not originally eligible for the VC, because since 1837 they had been eligible for the Indian Order of Merit—the oldest British gallantry award for general issue. When the VC was created, Indian troops were still controlled by the British East India Company, and did not come under Crown control until 1860. European officers and men serving with the East India Company were not eligible for the Indian Order of Merit; the VC was extended to cover them in October 1857. It was only at the end of the 19th century that calls for Indian troops to be awarded the VC intensified. Indian troops became eligible for the award in 1911. The first awards to Indian troops appeared in The London Gazette on 7 December 1914 to Darwan Singh Negi and Khudadad Khan, whose gallantry on 31 October 1914 was nearly a month earlier than Negi's gallantry on 24/25 November. Negi was presented with the VC by King George V two days earlier, on 5 December 1914, during a visit to troops in France. He is one of a small number of soldiers presented with his award before it appeared in the London Gazette. (Full article...)
    A medal in the shape of a cross hanging from a crimson red ribbon.
    The Victoria Cross


    The Victoria Cross (VC) was awarded to 153 members of the British Indian Army and civilians under its command, from 1857 until independence in 1947. The Victoria Cross is a military decoration awarded for valour "in the face of the enemy" to members of armed forces of some Commonwealth countries and previous British Empire territories. It takes precedence over all other Orders, decorations and medals. It may be awarded to a person of any rank in any service and to civilians under military command. The VC is traditionally presented to the recipient by the British monarch during an investiture at Buckingham Palace, though in a large number of cases this was not possible and it was presented in the field by a prominent civil or military official. The VC was introduced in Great Britain on 29 January 1856 by Queen Victoria to reward acts of valour during the Crimean War.

    Indian troops were not originally eligible for the VC, because since 1837 they had been eligible for the Indian Order of Merit—the oldest British gallantry award for general issue. When the VC was created, Indian troops were still controlled by the British East India Company, and did not come under Crown control until 1860. European officers and men serving with the East India Company were not eligible for the Indian Order of Merit; the VC was extended to cover them in October 1857. It was only at the end of the 19th century that calls for Indian troops to be awarded the VC intensified. Indian troops became eligible for the award in 1911. The first awards to Indian troops appeared in The London Gazette on 7 December 1914 to Darwan Singh Negi and Khudadad Khan, whose gallantry on 31 October 1914 was nearly a month earlier than Negi's gallantry on 24/25 November. Negi was presented with the VC by King George V two days earlier, on 5 December 1914, during a visit to troops in France. He is one of a small number of soldiers presented with his award before it appeared in the London Gazette. (Full article...)
  • Image 11 Shah Rukh Khan (left) and Aishwarya Rai Bachchan garnered several awards and nominations for their performances in Devdas (2002). Devdas is a 2002 Indian Hindi-language epic romantic drama film directed by Sanjay Leela Bhansali. It stars Shah Rukh Khan, Aishwarya Rai and Madhuri Dixit, while Kirron Kher, Smita Jaykar and Vijayendra Ghatge play supporting roles. The film's story focuses on Devdas (Khan), a Bachelor of Law student who later becomes an alcoholic after his family rejects his relationship with Paro (Rai Bachchan), Devdas' childhood friend. The film was produced by Bharat Shah for his company Mega Bollywood, and its screenplay was written by Bhansali and Prakash Ranjit Kapadia, who also wrote the dialogue. The soundtrack for Devdas was composed by Ismail Darbar and Birju Maharaj, who co-wrote the lyrics with Nusrat Badr and Sameer Anjaan. Binod Pradhan and Bela Sehgal completed the cinematography and editing, respectively, while Nitin Chandrakant Desai handled the production design. Made on a budget of ₹500 million (US$5.8 million), Devdas premiered at the 2002 Cannes Film Festival on 23 May 2002 and was released worldwide on 12 July that year. It received mixed reviews from critics, but emerged as the highest-grossing Indian film of the year, earning ₹998.8 million (US$12 million). The film won 61 awards from 91 nominations; its direction, music, performances of the cast members, screenplay, cinematography, choreography, costumes and production design have received the most attention from award groups. (Full article...)

    Shah Rukh Khan (left) and Aishwarya Rai Bachchan garnered several awards and nominations for their performances in Devdas (2002).

    Devdas is a 2002 Indian Hindi-language epic romantic drama film directed by Sanjay Leela Bhansali. It stars Shah Rukh Khan, Aishwarya Rai and Madhuri Dixit, while Kirron Kher, Smita Jaykar and Vijayendra Ghatge play supporting roles. The film's story focuses on Devdas (Khan), a Bachelor of Law student who later becomes an alcoholic after his family rejects his relationship with Paro (Rai Bachchan), Devdas' childhood friend. The film was produced by Bharat Shah for his company Mega Bollywood, and its screenplay was written by Bhansali and Prakash Ranjit Kapadia, who also wrote the dialogue. The soundtrack for Devdas was composed by Ismail Darbar and Birju Maharaj, who co-wrote the lyrics with Nusrat Badr and Sameer Anjaan. Binod Pradhan and Bela Sehgal completed the cinematography and editing, respectively, while Nitin Chandrakant Desai handled the production design.

    Made on a budget of ₹500 million (US$5.8 million), Devdas premiered at the 2002 Cannes Film Festival on 23 May 2002 and was released worldwide on 12 July that year. It received mixed reviews from critics, but emerged as the highest-grossing Indian film of the year, earning ₹998.8 million (US$12 million). The film won 61 awards from 91 nominations; its direction, music, performances of the cast members, screenplay, cinematography, choreography, costumes and production design have received the most attention from award groups. (Full article...)
  • Image 12 The chief minister of Chhattisgarh is the chief executive of the Indian state of Chhattisgarh. In accordance with the Constitution of India, the governor is a state's de jure head, but de facto executive authority rests with the chief minister. Following elections to the legislative assembly, the state's governor usually invites the party (or coalition) with a majority of seats to form the government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Given the confidence of the assembly, the chief minister's term is for five years and is subject to no term limits. Four people have served as the state's chief minister since Chhattisgarh's formation on 1 November 2000 as a result of the Madhya Pradesh Reorganisation Act, 2000. The first was Ajit Jogi of the Indian National Congress. He was succeeded in 2003 by Raman Singh of the Bharatiya Janata Party (BJP) who served three consecutive five-year terms. The third person to serve in the office was Congress leader Bhupesh Baghel ,who served from 2018 to 2023. He was succeeded by Vishnu Deo Sai of the BJP, the current incumbent. (Full article...)

    The chief minister of Chhattisgarh is the chief executive of the Indian state of Chhattisgarh. In accordance with the Constitution of India, the governor is a state's de jure head, but de facto executive authority rests with the chief minister. Following elections to the legislative assembly, the state's governor usually invites the party (or coalition) with a majority of seats to form the government. The governor appoints the chief minister, whose council of ministers are collectively responsible to the assembly. Given the confidence of the assembly, the chief minister's term is for five years and is subject to no term limits.

    Four people have served as the state's chief minister since Chhattisgarh's formation on 1 November 2000 as a result of the Madhya Pradesh Reorganisation Act, 2000. The first was Ajit Jogi of the Indian National Congress. He was succeeded in 2003 by Raman Singh of the Bharatiya Janata Party (BJP) who served three consecutive five-year terms. The third person to serve in the office was Congress leader Bhupesh Baghel ,who served from 2018 to 2023. He was succeeded by Vishnu Deo Sai of the BJP, the current incumbent. (Full article...)
  • Image 13 Padma Vibhushan medal attached with a pink ribbon The Padma Vibhushan is the second highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for the "exceptional and distinguished service", without distinction of race, occupation, position, or sex. The Padma Vibhushan award recipients are announced every year on Republic Day and registered in The Gazette of India—a publication released weekly by the Department of Publication, Ministry of Urban Development used for official government notices. The conferral of the award is not considered official without its publication in the Gazette. Recipients whose awards have been revoked or restored, both of which require the authority of the President, are also registered in the Gazette and are required to surrender their medals when their names are struck from the register. As of 2020[update], none of the conferments of Padma Vibhushan have been revoked or restored. The recommendations are received from all the state and the union territory governments, the Ministries of the Government, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The recommendations received during 1 May and 15 September of every year are submitted to the Padma Awards Committee, constituted by the Prime Minister. The committee recommendations are later submitted to the Prime Minister and the President for the further approval. When instituted in 1954, the Padma Vibhushan was classified as "Pahela Varg" (Class I) under the three-tier Padma Vibhushan awards; preceded by the Bharat Ratna, the highest civilian award, and followed by "Dusra Varg" (Class II), and "Tisra Varg" (Class III). On 15 January 1955, the Padma Vibhushan was reclassified into three different awards; the Padma Vibhushan, the highest of the three, followed by the Padma Bhushan and the Padma Shri. The criteria includes "exceptional and distinguished service in any field including service rendered by Government servants" but excluding those working with the Public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards but this was subsequently modified in the January 1955 statute. The award, along with other personal civil honours, was briefly suspended twice in its history; for the first time in July 1977 when Morarji Desai was sworn in as the fourth Prime Minister. The suspension was rescinded on 25 January 1980, after Indira Gandhi became the Prime Minister. The civilian awards were suspended again in mid-1992, when two Public-Interest Litigations were filed in the High Courts questioning the civilian awards being "Titles" per an interpretation of Article 18 (1) of the Constitution. The awards were reintroduced by the Supreme Court in December 1995, following the conclusion of the litigation. (Full article...)

    Padma Vibhushan medal attached with a pink ribbon

    The Padma Vibhushan is the second highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for the "exceptional and distinguished service", without distinction of race, occupation, position, or sex. The Padma Vibhushan award recipients are announced every year on Republic Day and registered in The Gazette of India—a publication released weekly by the Department of Publication, Ministry of Urban Development used for official government notices. The conferral of the award is not considered official without its publication in the Gazette. Recipients whose awards have been revoked or restored, both of which require the authority of the President, are also registered in the Gazette and are required to surrender their medals when their names are struck from the register. As of 2020, none of the conferments of Padma Vibhushan have been revoked or restored. The recommendations are received from all the state and the union territory governments, the Ministries of the Government, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The recommendations received during 1 May and 15 September of every year are submitted to the Padma Awards Committee, constituted by the Prime Minister. The committee recommendations are later submitted to the Prime Minister and the President for the further approval.

    When instituted in 1954, the Padma Vibhushan was classified as "Pahela Varg" (Class I) under the three-tier Padma Vibhushan awards; preceded by the Bharat Ratna, the highest civilian award, and followed by "Dusra Varg" (Class II), and "Tisra Varg" (Class III). On 15 January 1955, the Padma Vibhushan was reclassified into three different awards; the Padma Vibhushan, the highest of the three, followed by the Padma Bhushan and the Padma Shri. The criteria includes "exceptional and distinguished service in any field including service rendered by Government servants" but excluding those working with the Public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards but this was subsequently modified in the January 1955 statute. The award, along with other personal civil honours, was briefly suspended twice in its history; for the first time in July 1977 when Morarji Desai was sworn in as the fourth Prime Minister. The suspension was rescinded on 25 January 1980, after Indira Gandhi became the Prime Minister. The civilian awards were suspended again in mid-1992, when two Public-Interest Litigations were filed in the High Courts questioning the civilian awards being "Titles" per an interpretation of Article 18 (1) of the Constitution. The awards were reintroduced by the Supreme Court in December 1995, following the conclusion of the litigation. (Full article...)
  • Image 14 Ajith Kumar in 2010 Ajith Kumar is an Indian actor who works mainly in Tamil cinema. Apart from a small role in the 1990 Tamil film En Veedu En Kanavar, his professional career began three years later with his debut as a lead actor in Tamil cinema with Amaravathi (1993). Despite being a moderate success, the film helped him obtain more modelling assignments. He followed it up the same year with Prema Pusthakam, his only Telugu film to date. After Amaravathi's release, Ajith opted against acting, and instead tried pursuing a career in auto racing. While training for an amateur race, he injured his back and underwent three major surgeries, leaving him bed-ridden for a year and a half. After recovering from the injury, he played supporting roles in Paasamalargal (1994) and Pavithra (1994). After this, he co-starred with Vijay in Rajavin Parvaiyile (1995). That same year, he had his breakthrough with the romantic thriller Aasai. His performance earned him critical acclaim and established him as an up-and-coming actor in Tamil cinema. He was next seen as the main lead in Agathiyan's epistolary Kadhal Kottai (1996), a critical and commercial success. In 1997, he had five releases, all of which were commercial failures. Ajith's dual portrayal of twin brothers—where one is deaf-mute—in S. J. Suryah's Vaalee (1999) won him his first Filmfare Award for Best Tamil Actor. Impressed with his performance in that film, Rajiv Menon cast Ajith in the ensemble drama Kandukondain Kandukondain (2000) which was also commercial and critical success. The following year, he collaborated with debutant director AR Murugadoss on the action film Dheena. The film was successful in establishing his reputation as an action hero and earning him the nickname "Thala" ("leader"). He earned critical acclaim for his dual role performance in the vigilante film Citizen (2001), and the film was commercial success. and a Best Actor nomination at Filmfare for the drama Poovellam Un Vasam (2001). His last release of the year was Santosh Sivan's Hindi film Aśoka, where he played a brief antagonistic role opposite Shah Rukh Khan. His -role performance as twin brothers in K. S. Ravikumar's film Villain (2002) won him a second Filmfare Award for Best Tamil Actor. (Full article...)
    Ajith Kumar in 2010


    Ajith Kumar is an Indian actor who works mainly in Tamil cinema. Apart from a small role in the 1990 Tamil film En Veedu En Kanavar, his professional career began three years later with his debut as a lead actor in Tamil cinema with Amaravathi (1993). Despite being a moderate success, the film helped him obtain more modelling assignments. He followed it up the same year with Prema Pusthakam, his only Telugu film to date. After Amaravathi's release, Ajith opted against acting, and instead tried pursuing a career in auto racing. While training for an amateur race, he injured his back and underwent three major surgeries, leaving him bed-ridden for a year and a half. After recovering from the injury, he played supporting roles in Paasamalargal (1994) and Pavithra (1994). After this, he co-starred with Vijay in Rajavin Parvaiyile (1995). That same year, he had his breakthrough with the romantic thriller Aasai. His performance earned him critical acclaim and established him as an up-and-coming actor in Tamil cinema.

    He was next seen as the main lead in Agathiyan's epistolary Kadhal Kottai (1996), a critical and commercial success. In 1997, he had five releases, all of which were commercial failures. Ajith's dual portrayal of twin brothers—where one is deaf-mute—in S. J. Suryah's Vaalee (1999) won him his first Filmfare Award for Best Tamil Actor. Impressed with his performance in that film, Rajiv Menon cast Ajith in the ensemble drama Kandukondain Kandukondain (2000) which was also commercial and critical success. The following year, he collaborated with debutant director AR Murugadoss on the action film Dheena. The film was successful in establishing his reputation as an action hero and earning him the nickname "Thala" ("leader"). He earned critical acclaim for his dual role performance in the vigilante film Citizen (2001), and the film was commercial success. and a Best Actor nomination at Filmfare for the drama Poovellam Un Vasam (2001). His last release of the year was Santosh Sivan's Hindi film Aśoka, where he played a brief antagonistic role opposite Shah Rukh Khan. His -role performance as twin brothers in K. S. Ravikumar's film Villain (2002) won him a second Filmfare Award for Best Tamil Actor. (Full article...)
  • Image 15 Roshan in 2024 Hrithik Roshan is an Indian actor known for his work in Hindi-language films. As a child, he made uncredited appearances in three films directed by his maternal grandfather, J. Om Prakash, the first of which was in Aasha (1980). In 1986, Roshan played the adopted son of Rajinikanth's character in Prakash's crime drama Bhagwaan Dada. Roshan subsequently worked as an assistant director on four films, including Khudgarz (1987) and Karan Arjun (1995), all of which were directed by his father, Rakesh. Roshan's first leading role came opposite Ameesha Patel in Kaho Naa... Pyaar Hai (2000), a highly successful romantic drama directed by his father, for which he won two Filmfare Awards—Best Male Debut and Best Actor. In 2001, Roshan played a supporting role in Karan Johar's lucrative ensemble melodrama Kabhi Khushi Kabhie Gham.... This initial success was followed by roles in a series of critical and commercial failures, including Aap Mujhe Achche Lagne Lage (2002) and Main Prem Ki Diwani Hoon (2003), leading critics to believe that Roshan's career was over. His career prospects improved in 2003 when he played the role of a mentally disabled teenager in his father's science fiction film Koi... Mil Gaya. The film emerged as one of the highest-grossing Bollywood film of that year and earned Roshan the Best Actor – Critics and the Best Actor awards at Filmfare. His next release, the war drama Lakshya (2004), performed poorly at the box office despite earning positive reviews. (Full article...)
    Roshan in 2024

    Hrithik Roshan is an Indian actor known for his work in Hindi-language films. As a child, he made uncredited appearances in three films directed by his maternal grandfather, J. Om Prakash, the first of which was in Aasha (1980). In 1986, Roshan played the adopted son of Rajinikanth's character in Prakash's crime drama Bhagwaan Dada. Roshan subsequently worked as an assistant director on four films, including Khudgarz (1987) and Karan Arjun (1995), all of which were directed by his father, Rakesh.

    Roshan's first leading role came opposite Ameesha Patel in Kaho Naa... Pyaar Hai (2000), a highly successful romantic drama directed by his father, for which he won two Filmfare Awards—Best Male Debut and Best Actor. In 2001, Roshan played a supporting role in Karan Johar's lucrative ensemble melodrama Kabhi Khushi Kabhie Gham.... This initial success was followed by roles in a series of critical and commercial failures, including Aap Mujhe Achche Lagne Lage (2002) and Main Prem Ki Diwani Hoon (2003), leading critics to believe that Roshan's career was over. His career prospects improved in 2003 when he played the role of a mentally disabled teenager in his father's science fiction film Koi... Mil Gaya. The film emerged as one of the highest-grossing Bollywood film of that year and earned Roshan the Best Actor – Critics and the Best Actor awards at Filmfare. His next release, the war drama Lakshya (2004), performed poorly at the box office despite earning positive reviews. (Full article...)
  • Image 16 Khan in 2017 Indian actor Aamir Khan first appeared on screen at the age of eight in a minor role in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973). In 1983, he acted in and worked as an assistant director on Paranoia, a short film directed by Aditya Bhattacharya, following which he assisted Hussain on two of his directorial ventures—Manzil Manzil (1984) and Zabardast (1985). As an adult, Khan's first acting project was a brief role in the 1984 experimental social drama Holi. Khan's first leading role came opposite Juhi Chawla in the highly successful tragic romance Qayamat Se Qayamat Tak (1988). His performance in the film and in the thriller Raakh (1989) earned him a National Film Award – Special Mention. He went on to establish himself with roles in several lucrative films of the 1990s, including the romantic drama Dil (1990), the comedy-drama Hum Hain Rahi Pyar Ke (1993), and the romance Raja Hindustani (1996). He also played against type in the Deepa Mehta-directed Canadian-Indian co-production Earth (1998). In 1999, Khan launched a production company, Aamir Khan Productions, whose first release Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film, and earned him the National Film Award for Best Popular Film. Also in 2001, he starred alongside Saif Ali Khan and Akshaye Khanna in the acclaimed coming-of-age drama Dil Chahta Hai. Lagaan and Dil Chahta Hai are cited in the media as defining films of Hindi cinema. After a three-year hiatus, Khan portrayed the eponymous lead in Mangal Pandey: The Rising (2005), a period film that underperformed at the box office, after which he played leading roles in two top-grossing films of 2006—Fanaa and Rang De Basanti. (Full article...)
    Khan in 2017

    Indian actor Aamir Khan first appeared on screen at the age of eight in a minor role in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973). In 1983, he acted in and worked as an assistant director on Paranoia, a short film directed by Aditya Bhattacharya, following which he assisted Hussain on two of his directorial ventures—Manzil Manzil (1984) and Zabardast (1985). As an adult, Khan's first acting project was a brief role in the 1984 experimental social drama Holi.

    Khan's first leading role came opposite Juhi Chawla in the highly successful tragic romance Qayamat Se Qayamat Tak (1988). His performance in the film and in the thriller Raakh (1989) earned him a National Film Award – Special Mention. He went on to establish himself with roles in several lucrative films of the 1990s, including the romantic drama Dil (1990), the comedy-drama Hum Hain Rahi Pyar Ke (1993), and the romance Raja Hindustani (1996). He also played against type in the Deepa Mehta-directed Canadian-Indian co-production Earth (1998). In 1999, Khan launched a production company, Aamir Khan Productions, whose first release Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film, and earned him the National Film Award for Best Popular Film. Also in 2001, he starred alongside Saif Ali Khan and Akshaye Khanna in the acclaimed coming-of-age drama Dil Chahta Hai. Lagaan and Dil Chahta Hai are cited in the media as defining films of Hindi cinema. After a three-year hiatus, Khan portrayed the eponymous lead in Mangal Pandey: The Rising (2005), a period film that underperformed at the box office, after which he played leading roles in two top-grossing films of 2006—Fanaa and Rang De Basanti. (Full article...)
  • Image 17 Vidya at the 63rd Filmfare Awards, 2018 Vidya Balan is an Indian actress who appears primarily in Hindi films. She has received several awards, including a National Film Award, seven Filmfare Awards, six Screen Awards, four International Indian Film Academy Awards, and five awards each from the Producers Guild and Zee Cine award ceremonies. Vidya made her debut in 2003 with a leading role in the Bengali film Bhalo Theko, for which she won the Anandalok Award for Best Actress. In 2005, she had her first Bollywood release with the musical drama Parineeta, which garnered her a Best Female Debut award and a Best Actress nomination at the Filmfare Awards ceremony. For the role of a radio jockey in the 2006 horror comedy film Lage Raho Munna Bhai, she was nominated for the IIFA Award for Best Actress. In 2007, Vidya featured in five films. She portrayed a woman suffering from multiple sclerosis in the semi-biographical drama Guru and a dissociative identity disorder patient in the psychological thriller Bhool Bhulaiyaa. For the latter, she was nominated for a Filmfare Award for Best Actress. (Full article...)

    Vidya at the 63rd Filmfare Awards, 2018

    Vidya Balan is an Indian actress who appears primarily in Hindi films. She has received several awards, including a National Film Award, seven Filmfare Awards, six Screen Awards, four International Indian Film Academy Awards, and five awards each from the Producers Guild and Zee Cine award ceremonies.

    Vidya made her debut in 2003 with a leading role in the Bengali film Bhalo Theko, for which she won the Anandalok Award for Best Actress. In 2005, she had her first Bollywood release with the musical drama Parineeta, which garnered her a Best Female Debut award and a Best Actress nomination at the Filmfare Awards ceremony. For the role of a radio jockey in the 2006 horror comedy film Lage Raho Munna Bhai, she was nominated for the IIFA Award for Best Actress. In 2007, Vidya featured in five films. She portrayed a woman suffering from multiple sclerosis in the semi-biographical drama Guru and a dissociative identity disorder patient in the psychological thriller Bhool Bhulaiyaa. For the latter, she was nominated for a Filmfare Award for Best Actress. (Full article...)
  • Image 18 The state president of the Indian National Congress is the state-level highest command of the Indian National Congress (INC), responsible for leading in political campaigns at state level. State presidents shoulder a diverse array of roles and responsibilities integral to the effective functioning of the party at the state-level. Also known as the leader of the state and union territory party, a state president is chosen by the party president. Being the higher decision-making body, state presidents actively contribute to the formulation of state-level policies, representing the party's stance on relevant issues and engaging in the development and implementation of election strategies during state elections. In addition, a state president is tasked with overseeing the organizational structure of the Pradesh Congress Committee, including the appointment and coordination of leaders at various levels, such as the district committee, block committee, and each panchayat development block or panchayat samiti. Serving as a spokesperson for the party in the state, they communicate the party's positions to the media and keep party members informed about policies and decisions. State presidents also play a pivotal role in building and maintaining the party's membership, reaching out to diverse sections of society and addressing their concerns to advance the party's agenda. (Full article...)
    The state president of the Indian National Congress is the state-level highest command of the Indian National Congress (INC), responsible for leading in political campaigns at state level. State presidents shoulder a diverse array of roles and responsibilities integral to the effective functioning of the party at the state-level. Also known as the leader of the state and union territory party, a state president is chosen by the party president.

    Being the higher decision-making body, state presidents actively contribute to the formulation of state-level policies, representing the party's stance on relevant issues and engaging in the development and implementation of election strategies during state elections. In addition, a state president is tasked with overseeing the organizational structure of the Pradesh Congress Committee, including the appointment and coordination of leaders at various levels, such as the district committee, block committee, and each panchayat development block or panchayat samiti. Serving as a spokesperson for the party in the state, they communicate the party's positions to the media and keep party members informed about policies and decisions. State presidents also play a pivotal role in building and maintaining the party's membership, reaching out to diverse sections of society and addressing their concerns to advance the party's agenda. (Full article...)
  • Image 19 The J. C. Daniel Award is the highest award in Malayalam cinema, established by the Government of Kerala, India. It is presented annually by the Kerala State Chalachitra Academy, a non-profit institution operating under the Department of Cultural Affairs, Kerala. Instituted in 1992, the award recognizes individuals for their "outstanding contributions to Malayalam cinema". Recipients are selected by a jury appointed by the Kerala State Chalachitra Academy and the Department of Cultural Affairs. As of 2021[update], the honourees receive a statuette, a citation, and a cash prize of ₹500,000 (US$5,800). They are honoured at the Kerala State Film Awards ceremony. The Government of Kerala created the award to commemorate the contribution of Indian filmmaker J. C. Daniel, who is often regarded as the "father of Malayalam cinema". The J. C. Daniel Award was managed by the Department of Cultural Affairs until 1997. In 1998, the Government of Kerala constituted the Kerala State Chalachitra Academy, and since that year, the Academy has hosted the award. A cash prize of ₹50,000 (US$580) was granted with the award until 2002. In 2003, the prize money was doubled and, as part of a technical correction to update it, no award was presented that year. Actor Madhu was the first recipient of the award with the increased monetary prize of ₹100,000 (US$1,200) in 2004. Since 2016, the cash prize is ₹500,000 (US$5,800). (Full article...)
    The J. C. Daniel Award is the highest award in Malayalam cinema, established by the Government of Kerala, India. It is presented annually by the Kerala State Chalachitra Academy, a non-profit institution operating under the Department of Cultural Affairs, Kerala. Instituted in 1992, the award recognizes individuals for their "outstanding contributions to Malayalam cinema". Recipients are selected by a jury appointed by the Kerala State Chalachitra Academy and the Department of Cultural Affairs. As of 2021, the honourees receive a statuette, a citation, and a cash prize of ₹500,000 (US$5,800). They are honoured at the Kerala State Film Awards ceremony.

    The Government of Kerala created the award to commemorate the contribution of Indian filmmaker J. C. Daniel, who is often regarded as the "father of Malayalam cinema". The J. C. Daniel Award was managed by the Department of Cultural Affairs until 1997. In 1998, the Government of Kerala constituted the Kerala State Chalachitra Academy, and since that year, the Academy has hosted the award. A cash prize of ₹50,000 (US$580) was granted with the award until 2002. In 2003, the prize money was doubled and, as part of a technical correction to update it, no award was presented that year. Actor Madhu was the first recipient of the award with the increased monetary prize of ₹100,000 (US$1,200) in 2004. Since 2016, the cash prize is ₹500,000 (US$5,800). (Full article...)
  • Image 20 Suriya in 2011 Suriya is an Indian actor and film producer who works primarily in Tamil cinema. He made a commercially successful cinematic debut in Vasanth's Nerrukku Ner (1997). After few critical and commercial failures, Suriya collaborated with Vasanth again in Poovellam Kettuppar (1999), his first film with his future wife Jyothika. In 2001, Suriya starred in Bala's Nandha as an ex-convict trying to find his place in society. The film was critically acclaimed and became a turning point in his career. His roles as a police officer in Gautham Vasudev Menon's Kaakha Kaakha (which became his first blockbuster) and a con artist in Bala's Pithamagan, established him as one of Tamil cinema's leading actors. Suriya's performances in both films were praised, winning him a Best Actor nomination for the former and the Best Supporting Actor for Pithamagan at the 51st Filmfare Awards South. The following year, he played dual roles—a hunchback and a college student—in Perazhagan. Suriya's performance was again praised, and he received his first Filmfare Best Actor award. He was also acclaimed for his performance as a student leader in Mani Ratnam's Aayutha Ezhuthu (2004). (Full article...)

    Suriya in 2011

    Suriya is an Indian actor and film producer who works primarily in Tamil cinema. He made a commercially successful cinematic debut in Vasanth's Nerrukku Ner (1997). After few critical and commercial failures, Suriya collaborated with Vasanth again in Poovellam Kettuppar (1999), his first film with his future wife Jyothika.

    In 2001, Suriya starred in Bala's Nandha as an ex-convict trying to find his place in society. The film was critically acclaimed and became a turning point in his career. His roles as a police officer in Gautham Vasudev Menon's Kaakha Kaakha (which became his first blockbuster) and a con artist in Bala's Pithamagan, established him as one of Tamil cinema's leading actors. Suriya's performances in both films were praised, winning him a Best Actor nomination for the former and the Best Supporting Actor for Pithamagan at the 51st Filmfare Awards South. The following year, he played dual roles—a hunchback and a college student—in Perazhagan. Suriya's performance was again praised, and he received his first Filmfare Best Actor award. He was also acclaimed for his performance as a student leader in Mani Ratnam's Aayutha Ezhuthu (2004). (Full article...)
  • Image 21 India has submitted films for the Academy Award for Best International Feature Film (formerly Academy Award for Best Foreign Language Film) since 1957, a year after the incorporation of the category. The award is given annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. The "Best Foreign Language Film" category was not created until 1956; however, between 1947 and 1955, the academy presented a non-competitive Honorary Award for the best foreign language films released in the United States. The Film Federation of India (FFI) appoints a committee to choose one film among those released that year to be submitted as India's official entry to the academy for a nomination for "Best Foreign Language Film" the following year. The chosen films, along with their English subtitles, are sent to the academy, where they are screened for the jury. The 1957 Hindi film Mother India was India's first submission. The film made it to the final shortlist and was nominated alongside four other films in the category. It came close to winning the Academy Award but lost to Nights of Cabiria by a single vote. Since 1984, India has not submitted a film on only one occasion; in 2003, the FFI controversially chose not make an entry as they felt no film would be in a position to compete with films from other nations. As of 2021[update], only three Indian films—Mother India (1957), Salaam Bombay! (1988) and Lagaan (2001)—have been nominated for the award. In 2011, the jury of the 58th National Film Awards made a recommendation that the Best Film winners at the annual National Film Awards be chosen as the official entry. (Full article...)

    India has submitted films for the Academy Award for Best International Feature Film (formerly Academy Award for Best Foreign Language Film) since 1957, a year after the incorporation of the category. The award is given annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. The "Best Foreign Language Film" category was not created until 1956; however, between 1947 and 1955, the academy presented a non-competitive Honorary Award for the best foreign language films released in the United States.

    The Film Federation of India (FFI) appoints a committee to choose one film among those released that year to be submitted as India's official entry to the academy for a nomination for "Best Foreign Language Film" the following year. The chosen films, along with their English subtitles, are sent to the academy, where they are screened for the jury. The 1957 Hindi film Mother India was India's first submission. The film made it to the final shortlist and was nominated alongside four other films in the category. It came close to winning the Academy Award but lost to Nights of Cabiria by a single vote. Since 1984, India has not submitted a film on only one occasion; in 2003, the FFI controversially chose not make an entry as they felt no film would be in a position to compete with films from other nations. As of 2021, only three Indian films—Mother India (1957), Salaam Bombay! (1988) and Lagaan (2001)—have been nominated for the award. In 2011, the jury of the 58th National Film Awards made a recommendation that the Best Film winners at the annual National Film Awards be chosen as the official entry. (Full article...)
  • Image 22 Shriya Saran at 62nd South Filmfare awards. Shriya Saran is an Indian actress and model who has appeared mostly in Telugu, Tamil and Hindi language films. She made her acting debut with the Telugu film Ishtam (2001) and had her first commercial success with Santosham (2002). The following year, she made her Hindi cinema debut with a supporting role in Tujhe Meri Kasam, alongside Riteish Deshmukh and Genelia D'Souza. It was followed by the commercially successful crime drama Tagore (2003), in which she was paired opposite Chiranjeevi. The same year, she played a supporting role in the Tamil-Telugu bilingual film Enakku 20 Unakku 18, which marked her debut in Tamil cinema. In 2005, she had ten releases including Mazhai, S. S. Rajamouli's Chatrapathi, and Mogudu Pellam O Dongodu, in which she was among the only three characters of the film. Saran's solitary release as a lead actress in 2006 was the Tamil film Thiruvilaiyaadal Aarambam. In 2007, Saran was paired opposite Rajinikanth in S. Shankar's Sivaji. It was the most expensive film in Indian cinema and went on to become the highest grossing Tamil film to that point. The same year, she made a comeback to Hindi cinema with Mohit Suri's Awarapan, where she played a Muslim woman. Following that, she made her American cinema debut with James Dodson's The Other End of the Line (2008), in which she played an Indian woman who works in a call centre. Her subsequent releases include the Tamil films Kanthaswamy (2009) and Kutty (2010), and Pokkiri Raja (2010), which marked her debut in Malayalam cinema. (Full article...)
    Shriya Saran is seen smiling at the camera.
    Shriya Saran at 62nd South Filmfare awards.

    Shriya Saran is an Indian actress and model who has appeared mostly in Telugu, Tamil and Hindi language films. She made her acting debut with the Telugu film Ishtam (2001) and had her first commercial success with Santosham (2002). The following year, she made her Hindi cinema debut with a supporting role in Tujhe Meri Kasam, alongside Riteish Deshmukh and Genelia D'Souza. It was followed by the commercially successful crime drama Tagore (2003), in which she was paired opposite Chiranjeevi. The same year, she played a supporting role in the Tamil-Telugu bilingual film Enakku 20 Unakku 18, which marked her debut in Tamil cinema. In 2005, she had ten releases including Mazhai, S. S. Rajamouli's Chatrapathi, and Mogudu Pellam O Dongodu, in which she was among the only three characters of the film. Saran's solitary release as a lead actress in 2006 was the Tamil film Thiruvilaiyaadal Aarambam.

    In 2007, Saran was paired opposite Rajinikanth in S. Shankar's Sivaji. It was the most expensive film in Indian cinema and went on to become the highest grossing Tamil film to that point. The same year, she made a comeback to Hindi cinema with Mohit Suri's Awarapan, where she played a Muslim woman. Following that, she made her American cinema debut with James Dodson's The Other End of the Line (2008), in which she played an Indian woman who works in a call centre. Her subsequent releases include the Tamil films Kanthaswamy (2009) and Kutty (2010), and Pokkiri Raja (2010), which marked her debut in Malayalam cinema. (Full article...)
  • Image 23 Padmaavat is a 2018 Indian Hindi-language epic period drama film directed and produced by Sanjay Leela Bhansali. The film stars Deepika Padukone as Rani Padmavati, Shahid Kapoor as Maharawal Ratan Singh and Ranveer Singh as Sultan Alauddin Khilji and features Aditi Rao Hydari, Jim Sarbh, Raza Murad, and Anupriya Goenka in supporting roles. The film's screenplay was written by Bhansali and Prakash Kapadia. Bhansali also composed the soundtrack of the film, with lyrics written by A. M. Turaz, Siddharth-Garima and Swaroop Khan. The original score of the film is composed by Sanchit Balhara. Padmaavat was edited by Rajesh G. Pandey while Sudeep Chatterjee is its cinematographer. Set in medieval Rajasthan in 1303 AD, Queen Padmavati of Mewar is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and becomes obsessed with having her. Made on a budget of ₹2.15 billion (US$25 million), Padmaavat was released on 25 January 2018 in 2D, 3D and IMAX 3D formats, making it the first Indian film to be released in IMAX 3D. Despite not being released in some states of India, it grossed over ₹5.85 billion (US$68 million) at the box office, becoming a commercial success and one of the highest-grossing Indian films of all time. The film won 25 awards from 68 nominations; its music, and the performance of Singh have received the most attention from award groups. (Full article...)
    Padmaavat is a 2018 Indian Hindi-language epic period drama film directed and produced by Sanjay Leela Bhansali. The film stars Deepika Padukone as Rani Padmavati, Shahid Kapoor as Maharawal Ratan Singh and Ranveer Singh as Sultan Alauddin Khilji and features Aditi Rao Hydari, Jim Sarbh, Raza Murad, and Anupriya Goenka in supporting roles. The film's screenplay was written by Bhansali and Prakash Kapadia. Bhansali also composed the soundtrack of the film, with lyrics written by A. M. Turaz, Siddharth-Garima and Swaroop Khan. The original score of the film is composed by Sanchit Balhara. Padmaavat was edited by Rajesh G. Pandey while Sudeep Chatterjee is its cinematographer. Set in medieval Rajasthan in 1303 AD, Queen Padmavati of Mewar is married to a noble king and they live in a prosperous fortress with their subjects until an ambitious Sultan hears of Padmavati's beauty and becomes obsessed with having her.

    Made on a budget of ₹2.15 billion (US$25 million), Padmaavat was released on 25 January 2018 in 2D, 3D and IMAX 3D formats, making it the first Indian film to be released in IMAX 3D. Despite not being released in some states of India, it grossed over ₹5.85 billion (US$68 million) at the box office, becoming a commercial success and one of the highest-grossing Indian films of all time. The film won 25 awards from 68 nominations; its music, and the performance of Singh have received the most attention from award groups. (Full article...)
  • Image 24 The Victoria Cross The Victoria Cross (VC) is a military decoration bestowed on members of the British or Commonwealth armed forces for acts of valour or gallantry performed in the face of the enemy. In the British honours system and those of many Commonwealth nations it is the highest award a soldier can receive for actions in combat. It was established in 1856 and since then has been awarded 1,356 times, including to three recipients who were awarded the VC twice. The British Army's Brigade of Gurkhas, units composed of Nepalese soldiers—although originally led by British officers—has been a part of the army since 1815. When raised, it originally focused on conflicts in the Far East, but the transfer of Hong Kong from British to Chinese hands necessitated that the brigade move its base to the UK. A battalion is still maintained in Brunei and as at 2016, units serve in Afghanistan. (Full article...)
    A medal in the shape of a cross hanging from a crimson red ribbon.
    The Victoria Cross


    The Victoria Cross (VC) is a military decoration bestowed on members of the British or Commonwealth armed forces for acts of valour or gallantry performed in the face of the enemy. In the British honours system and those of many Commonwealth nations it is the highest award a soldier can receive for actions in combat. It was established in 1856 and since then has been awarded 1,356 times, including to three recipients who were awarded the VC twice.

    The British Army's Brigade of Gurkhas, units composed of Nepalese soldiers—although originally led by British officers—has been a part of the army since 1815. When raised, it originally focused on conflicts in the Far East, but the transfer of Hong Kong from British to Chinese hands necessitated that the brigade move its base to the UK. A battalion is still maintained in Brunei and as at 2016, units serve in Afghanistan. (Full article...)
  • Image 25 Dhanush in 2017 Dhanush is an Indian actor, film producer, screenwriter and film director known for his work in Tamil cinema. He has also appeared in some Hindi, English and Telugu films. He made his acting debut in 2002 with the coming of age drama, Thulluvadho Ilamai, directed by his father Kasthuri Raja. His role as a mentally-disturbed man in Kaadhal Kondein (2003)—directed by his brother Selvaraghavan—won him critical acclaim. The following year, he starred in Subramaniam Siva's Thiruda Thirudi, a commercial success. This was followed by a series of commercial failures—Pudhukottaiyilirundhu Saravanan (2004), Sullan (2004) and Dreams (2004). He had two releases in 2005—Devathaiyai Kanden and Adhu Oru Kana Kaalam. In 2006, Dhanush starred in the gangster film Pudhupettai, which was critically acclaimed and moderately successful at the box-office. He next collaborated with debutant director Vetrimaaran in Polladhavan (2007). It was critically acclaimed and commercially successful. His subsequent releases—Yaaradi Nee Mohini (2008) and Padikkadavan—were box-office successes. He collaborated with Vetrimaaran for the second time in Aadukalam (2011). His role as a rooster fight jockey in the film won him that year's National Film Award for Best Actor and the Best Tamil Actor Award at the 60th Filmfare Awards South. In 2012, he received international attention with the song "Why This Kolaveri Di", which was recorded for Aishwarya R. Dhanush's directorial debut 3. His role as a man who is suffering from bipolar disorder in the film won him his second Filmfare Award. (Full article...)
    Dhanush in 2017

    Dhanush is an Indian actor, film producer, screenwriter and film director known for his work in Tamil cinema. He has also appeared in some Hindi, English and Telugu films. He made his acting debut in 2002 with the coming of age drama, Thulluvadho Ilamai, directed by his father Kasthuri Raja. His role as a mentally-disturbed man in Kaadhal Kondein (2003)—directed by his brother Selvaraghavan—won him critical acclaim. The following year, he starred in Subramaniam Siva's Thiruda Thirudi, a commercial success. This was followed by a series of commercial failures—Pudhukottaiyilirundhu Saravanan (2004), Sullan (2004) and Dreams (2004). He had two releases in 2005—Devathaiyai Kanden and Adhu Oru Kana Kaalam.

    In 2006, Dhanush starred in the gangster film Pudhupettai, which was critically acclaimed and moderately successful at the box-office. He next collaborated with debutant director Vetrimaaran in Polladhavan (2007). It was critically acclaimed and commercially successful. His subsequent releases—Yaaradi Nee Mohini (2008) and Padikkadavan—were box-office successes. He collaborated with Vetrimaaran for the second time in Aadukalam (2011). His role as a rooster fight jockey in the film won him that year's National Film Award for Best Actor and the Best Tamil Actor Award at the 60th Filmfare Awards South. In 2012, he received international attention with the song "Why This Kolaveri Di", which was recorded for Aishwarya R. Dhanush's directorial debut 3. His role as a man who is suffering from bipolar disorder in the film won him his second Filmfare Award. (Full article...)
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  • Image 1 Matsya avatar in British Museum, 1820 Matsya (Sanskrit: मत्स्य, lit. 'fish') is the fish avatar of the Hindu god Vishnu. Often described as the first of Vishnu's ten primary avatars, Matsya is described to have rescued the first man, Manu, from a great deluge. Matsya may be depicted as a giant fish, often golden in color, or anthropomorphically with the torso of Vishnu connected to the rear half of a fish. The earliest account of Matsya is found in the Shatapatha Brahmana, where Matsya is not associated with any particular deity. The fish-saviour later merges with the identity of Brahma in post-Vedic era, and still later, becomes regarded with Vishnu. The legends associated with Matsya expand, evolve, and vary in Hindu texts. These legends have embedded symbolism, where a small fish with Manu's protection grows to become a big fish, and the fish saves the man who would be the progenitor of the next race of mankind. In later versions, Matsya slays a demon named Hayagriva who steals the Vedas, and thus is lauded as the saviour of the scriptures. (Full article...)

    Matsya avatar in British Museum, 1820

    Matsya (Sanskrit: मत्स्य, lit. 'fish') is the fish avatar of the Hindu god Vishnu. Often described as the first of Vishnu's ten primary avatars, Matsya is described to have rescued the first man, Manu, from a great deluge. Matsya may be depicted as a giant fish, often golden in color, or anthropomorphically with the torso of Vishnu connected to the rear half of a fish.

    The earliest account of Matsya is found in the Shatapatha Brahmana, where Matsya is not associated with any particular deity. The fish-saviour later merges with the identity of Brahma in post-Vedic era, and still later, becomes regarded with Vishnu. The legends associated with Matsya expand, evolve, and vary in Hindu texts. These legends have embedded symbolism, where a small fish with Manu's protection grows to become a big fish, and the fish saves the man who would be the progenitor of the next race of mankind. In later versions, Matsya slays a demon named Hayagriva who steals the Vedas, and thus is lauded as the saviour of the scriptures. (Full article...)
  • Image 2 Lagaan: Once Upon a Time in India, or simply Lagaan, (transl. Land tax) is a 2001 Indian Hindi-language epic period musical sports drama film written and directed by Ashutosh Gowariker. The film was produced by Aamir Khan, who stars alongside debutant Gracy Singh and British actors Rachel Shelley and Paul Blackthorne. Set in 1893, during the late Victorian period of British colonial rule in India, the film follows the inhabitants of a village in Central India, who, burdened by high taxes and several years of drought, are challenged by an arrogant British Indian Army officer to a game of cricket as a wager to avoid paying the taxes they owe. The villagers face the arduous task of learning a game that is alien to them and playing for a victory. Produced on a budget of ₹25 crore (US$5.3 million), Lagaan was the most expensive Indian film at the time of its release. It faced multiple challenges during production: Khan was initially skeptical to star in a sports film, and later, prospective producers called for budget cuts and script modifications. Eventually, the film would become the maiden project of Aamir Khan Productions, and mark Khan's foray into film production. Gowariker was inspired by aspects of sports drama Naya Daur (1957) in developing the film. The language featured in the film was based on Awadhi, but was diluted with standard Hindi for modern audiences. Principal photography took place in villages near Bhuj. Nitin Chandrakant Desai served as art director, while Bhanu Athaiya was the costume designer. The original soundtrack was composed by A. R. Rahman, with lyrics written by Javed Akhtar. (Full article...)
    Lagaan: Once Upon a Time in India, or simply Lagaan, (transl. Land tax) is a 2001 Indian Hindi-language epic period musical sports drama film written and directed by Ashutosh Gowariker. The film was produced by Aamir Khan, who stars alongside debutant Gracy Singh and British actors Rachel Shelley and Paul Blackthorne. Set in 1893, during the late Victorian period of British colonial rule in India, the film follows the inhabitants of a village in Central India, who, burdened by high taxes and several years of drought, are challenged by an arrogant British Indian Army officer to a game of cricket as a wager to avoid paying the taxes they owe. The villagers face the arduous task of learning a game that is alien to them and playing for a victory.

    Produced on a budget of ₹25 crore (US$5.3 million), Lagaan was the most expensive Indian film at the time of its release. It faced multiple challenges during production: Khan was initially skeptical to star in a sports film, and later, prospective producers called for budget cuts and script modifications. Eventually, the film would become the maiden project of Aamir Khan Productions, and mark Khan's foray into film production. Gowariker was inspired by aspects of sports drama Naya Daur (1957) in developing the film. The language featured in the film was based on Awadhi, but was diluted with standard Hindi for modern audiences. Principal photography took place in villages near Bhuj. Nitin Chandrakant Desai served as art director, while Bhanu Athaiya was the costume designer. The original soundtrack was composed by A. R. Rahman, with lyrics written by Javed Akhtar. (Full article...)
  • Image 3 Chirand is an archaeological site in the Saran district of Bihar, India, situated on the northern bank of the Ganga River. Evidences of wheat were found. It has a large pre-historic mound which is known for its continuous archaeological record from the Neolithic age (about 2500–1345 BC) to the reign of the Pal dynasty who ruled during the pre-medieval period. The excavations in Chirand have revealed stratified Neolithic, Chalcolithic, and Iron Age settlements, and transitions in human habitation patterns dating from 2500 BC to 30 AD. The river Ghaghara joins Ganga a short distance away from the village, near Revelganj. The Sone River also joins Ganga about a few kilometres away from Chirand. About 2.5 kilometres (1.6 mi) to the north of the mound there is a dry river bed which is inferred as one of the meandering dry loops of the Gandaki River. Thus, there are four rivers in the vicinity of Chirand. The village has undergone erosion due to which the mound abutting the Ganga River bank is exposed, revealing brick features and potsherds. On the top of the mound there is a mosque, which was built by Sultan Abul Muzaffar Hussain Shah of Bengal in 1503 AD. This mosque reveals ruins of pilasters of Hindu temples. (Full article...)
    Chirand is an archaeological site in the Saran district of Bihar, India, situated on the northern bank of the Ganga River. Evidences of wheat were found. It has a large pre-historic mound which is known for its continuous archaeological record from the Neolithic age (about 2500–1345 BC) to the reign of the Pal dynasty who ruled during the pre-medieval period. The excavations in Chirand have revealed stratified Neolithic, Chalcolithic, and Iron Age settlements, and transitions in human habitation patterns dating from 2500 BC to 30 AD.

    The river Ghaghara joins Ganga a short distance away from the village, near Revelganj. The Sone River also joins Ganga about a few kilometres away from Chirand. About 2.5 kilometres (1.6 mi) to the north of the mound there is a dry river bed which is inferred as one of the meandering dry loops of the Gandaki River. Thus, there are four rivers in the vicinity of Chirand. The village has undergone erosion due to which the mound abutting the Ganga River bank is exposed, revealing brick features and potsherds. On the top of the mound there is a mosque, which was built by Sultan Abul Muzaffar Hussain Shah of Bengal in 1503 AD. This mosque reveals ruins of pilasters of Hindu temples. (Full article...)
  • Image 4 Durian fruit cut open to show the edible flesh The durian (/ˈdʊəriən/ ⓘ) is the edible fruit of several tree species belonging to the genus Durio. There are 30 recognized species, at least nine of which produce edible fruit. Durio zibethinus, native to Borneo and Sumatra, is the only species available on the international market. It has over 300 named varieties in Thailand and over 200 in Malaysia as of 2021. Other species are sold in their local regions. Known in some regions as the "king of fruits", the durian is distinctive for its large size, strong odour, and thorn-covered rind. The fruit can grow as large as 30 cm (12 in) long and 15 cm (6 in) in diameter, and it typically weighs 1 to 3 kg (2 to 7 lb). Its shape ranges from oblong to round, the colour of its husk from green to brown, and its flesh from pale yellow to red, depending on the species. (Full article...)
    Durian fruit cut open to show the edible flesh



    The durian (/ˈdʊəriən/ ⓘ) is the edible fruit of several tree species belonging to the genus Durio. There are 30 recognized species, at least nine of which produce edible fruit. Durio zibethinus, native to Borneo and Sumatra, is the only species available on the international market. It has over 300 named varieties in Thailand and over 200 in Malaysia as of 2021. Other species are sold in their local regions.

    Known in some regions as the "king of fruits", the durian is distinctive for its large size, strong odour, and thorn-covered rind. The fruit can grow as large as 30 cm (12 in) long and 15 cm (6 in) in diameter, and it typically weighs 1 to 3 kg (2 to 7 lb). Its shape ranges from oblong to round, the colour of its husk from green to brown, and its flesh from pale yellow to red, depending on the species. (Full article...)
  • Image 5 Ruins of St. John the Baptist Church in Andheri, built by the Portuguese Jesuits in 1579. Bombay, also called Bom Bahia or Bom Baim in Indo-Portuguese creole, Mumbai in the local language; is the financial and commercial capital of India and one of the most populous cities in the world. It's also the cosmopolitan city centre of the Greater Bombay Metropolitan Area, and the cultural base of the Bollywood film industry. At the time of arrival of the Portuguese Armadas, Bombay was an archipelago of seven islands. Between the third century BCE and 1348, the islands came under the control of successive Hindu dynasties. The Delhi Sultanate had been ruling the area along with Chaul, New Bombay (Thana) & Damaon; with the local administration at Bassein (Vasai) since the raids of Malik Kafur in the Konkan region and across the Indian subcontinent. This territory in North Konkan along with the Bombay islands were later taken over by the Sultan of Guzerat from 1391 to 1534, when he had declared the end of the suzerainty to Delhi, after the Timurid invasion of it. Growing apprehensive of the power of the Moghal emperor Humayun, Sultan Bahadur Shah of Gujarat was obliged to sign the Treaty of Bassein on 23 December 1534; according to which, the Seven Islands of Bombay, Fort San Sebastian of Bassein in strategic town of Bassein (Vasai), and its dependencies were offered to the Portuguese East Indies. The places were only later officially surrendered on 25 October 1535, by the Sultan of Guzerat. The Portuguese in Goa-Anjediva and Bombay-Bassein were actively involved in the foundation and growth of their Latin Christian religion in Bombay and the neighbouring area. They called the island by various names, which finally took the written form Bom Baim, when the islands were leased to several Portuguese officers during their regime. Portuguese Franciscans and Jesuits built several churches in and around Bombay (Mumbai); the prominent ones are the St Michael's Church at Mahim, St John the Baptist Church at Andheri, St Andrew's Church, the Basilica of Mount Bandra (Bombay) at Bandra, the Gloria Church at Byculla & the Holy Spirit Church Nandakhal at Virar. The Portuguese also built several fortifications around the city like the Bombay Castle, Castella de Aguada (Castelo da Aguada or Bandra Fort) and Madh Fort. (Full article...)
    Ruins of St. John the Baptist Church in Andheri, built by the Portuguese Jesuits in 1579.


    Bombay, also called Bom Bahia or Bom Baim in Indo-Portuguese creole, Mumbai in the local language; is the financial and commercial capital of India and one of the most populous cities in the world. It's also the cosmopolitan city centre of the Greater Bombay Metropolitan Area, and the cultural base of the Bollywood film industry. At the time of arrival of the Portuguese Armadas, Bombay was an archipelago of seven islands. Between the third century BCE and 1348, the islands came under the control of successive Hindu dynasties. The Delhi Sultanate had been ruling the area along with Chaul, New Bombay (Thana) & Damaon; with the local administration at Bassein (Vasai) since the raids of Malik Kafur in the Konkan region and across the Indian subcontinent. This territory in North Konkan along with the Bombay islands were later taken over by the Sultan of Guzerat from 1391 to 1534, when he had declared the end of the suzerainty to Delhi, after the Timurid invasion of it. Growing apprehensive of the power of the Moghal emperor Humayun, Sultan Bahadur Shah of Gujarat was obliged to sign the Treaty of Bassein on 23 December 1534; according to which, the Seven Islands of Bombay, Fort San Sebastian of Bassein in strategic town of Bassein (Vasai), and its dependencies were offered to the Portuguese East Indies. The places were only later officially surrendered on 25 October 1535, by the Sultan of Guzerat.

    The Portuguese in Goa-Anjediva and Bombay-Bassein were actively involved in the foundation and growth of their Latin Christian religion in Bombay and the neighbouring area. They called the island by various names, which finally took the written form Bom Baim, when the islands were leased to several Portuguese officers during their regime. Portuguese Franciscans and Jesuits built several churches in and around Bombay (Mumbai); the prominent ones are the St Michael's Church at Mahim, St John the Baptist Church at Andheri, St Andrew's Church, the Basilica of Mount Bandra (Bombay) at Bandra, the Gloria Church at Byculla & the Holy Spirit Church Nandakhal at Virar. The Portuguese also built several fortifications around the city like the Bombay Castle, Castella de Aguada (Castelo da Aguada or Bandra Fort) and Madh Fort. (Full article...)
  • Image 6 N. manalari, with Indian five-rupee coin for scale Nyctibatrachus manalari, the Manalar night frog, is a species of frog in the robust frog family Nyctibatrachidae. It was described in 2017, along with six other species in its genus, by the herpetologist Sonali Garg and her colleagues. A small frog, it has an adult male snout–vent length of 13.1–15.4 mm (0.52–0.61 in). It is mainly reddish-brown in color, with a pale patch on the snout, lighter undersides, and dark brown horizontal lines on the limbs. When preserved in ethanol, it is mostly grey to greyish-brown, with grayish-white undersides. It is endemic to the Western Ghats of India, where it is known from the Periyar Tiger Reserve in Kerala and Meghamalai Wildlife Sanctuary in Tamil Nadu, although its range is likely larger than currently known. It reproduces by laying eggs, with the only known clutch having eight eggs. The species is currently classified as being data deficient by the IUCN due to a lack of information about it; threats to the species include pesticide usage and chytridiomycosis. (Full article...)

    N. manalari, with Indian five-rupee coin for scale

    Nyctibatrachus manalari, the Manalar night frog, is a species of frog in the robust frog family Nyctibatrachidae. It was described in 2017, along with six other species in its genus, by the herpetologist Sonali Garg and her colleagues. A small frog, it has an adult male snout–vent length of 13.1–15.4 mm (0.52–0.61 in). It is mainly reddish-brown in color, with a pale patch on the snout, lighter undersides, and dark brown horizontal lines on the limbs. When preserved in ethanol, it is mostly grey to greyish-brown, with grayish-white undersides.

    It is endemic to the Western Ghats of India, where it is known from the Periyar Tiger Reserve in Kerala and Meghamalai Wildlife Sanctuary in Tamil Nadu, although its range is likely larger than currently known. It reproduces by laying eggs, with the only known clutch having eight eggs. The species is currently classified as being data deficient by the IUCN due to a lack of information about it; threats to the species include pesticide usage and chytridiomycosis. (Full article...)
  • Image 7 Tamil Nadu (/ˌtæmɪl ˈnɑːduː/; Tamil: [ˈtamiɻ ˈnaːɽɯ] ⓘ, abbr. TN) is the southernmost state of India. The tenth largest Indian state by area and the sixth largest by population, Tamil Nadu is the home of the Tamil people, who speak the Tamil language—the state's official language and one of the longest surviving classical languages of the world. The capital and largest city is Chennai. Located on the south-eastern coast of the Indian peninsula, Tamil Nadu is straddled by the Western Ghats and Deccan Plateau in the west, the Eastern Ghats in the north, the Eastern Coastal Plains lining the Bay of Bengal in the east, the Gulf of Mannar and the Palk Strait to the south-east, the Laccadive Sea at the southern cape of the peninsula, with the river Kaveri bisecting the state. Politically, Tamil Nadu is bound by the Indian states of Kerala, Karnataka, and Andhra Pradesh, and encloses a part of the union territory of Puducherry. It shares an international maritime border with the Northern Province of Sri Lanka at Pamban Island. (Full article...)

    Tamil Nadu (/ˌtæmɪl ˈnɑːduː/; Tamil: [ˈtamiɻ ˈnaːɽɯ] ⓘ, abbr. TN) is the southernmost state of India. The tenth largest Indian state by area and the sixth largest by population, Tamil Nadu is the home of the Tamil people, who speak the Tamil language—the state's official language and one of the longest surviving classical languages of the world. The capital and largest city is Chennai.

    Located on the south-eastern coast of the Indian peninsula, Tamil Nadu is straddled by the Western Ghats and Deccan Plateau in the west, the Eastern Ghats in the north, the Eastern Coastal Plains lining the Bay of Bengal in the east, the Gulf of Mannar and the Palk Strait to the south-east, the Laccadive Sea at the southern cape of the peninsula, with the river Kaveri bisecting the state. Politically, Tamil Nadu is bound by the Indian states of Kerala, Karnataka, and Andhra Pradesh, and encloses a part of the union territory of Puducherry. It shares an international maritime border with the Northern Province of Sri Lanka at Pamban Island. (Full article...)
  • Image 8 Sahib Bibi Aur Ghulam (transl. The Master, the Wife, and the Slave) is a 1962 Indian Hindi-language drama film directed by Abrar Alvi and produced by Guru Dutt, who also co-stars in it alongside Meena Kumari, Rehman, and Waheeda Rehman. The film is based on Bimal Mitra's Bengali novel Saheb Bibi Golam (1953) and was the second adaptation of the novel after the 1956 Bengali film of the same title, starring Sumitra Devi, Uttam Kumar and Chhabi Biswas. Having seen the novel and its staged version, Dutt wanted to adapt Saheb Bibi Golam into a film. It is set in the 19th century during the British Raj and focuses on Bhoothnath (Dutt), who meets Chhoti Bahu (Kumari), the lonely wife of a zamindar (Rehman). The film follows Chhoti Bahu's effort to keep her husband—who likes drinking and watching tawaifs perform—at their home by drinking with him. She becomes addicted to alcohol, leading both of them into bankruptcy. The book's rights were bought after his production venture Chaudhvin Ka Chand (1960) became commercially successful and covered his company's loss following the failure of Kaagaz Ke Phool (1959), his previous directorial project. Mitra and Alvi took a year to write the screenplay, facing difficulties in translating the novel from Bengali to Hindi. Principal photography took place in Andheri and Dhanyakuria with cinematographer V. K. Murthy; the film was edited by Y. G. Chawhan. Hemant Kumar composed the soundtrack and Shakeel Badayuni wrote the lyrics. (Full article...)
    Sahib Bibi Aur Ghulam (transl. The Master, the Wife, and the Slave) is a 1962 Indian Hindi-language drama film directed by Abrar Alvi and produced by Guru Dutt, who also co-stars in it alongside Meena Kumari, Rehman, and Waheeda Rehman. The film is based on Bimal Mitra's Bengali novel Saheb Bibi Golam (1953) and was the second adaptation of the novel after the 1956 Bengali film of the same title, starring Sumitra Devi, Uttam Kumar and Chhabi Biswas. Having seen the novel and its staged version, Dutt wanted to adapt Saheb Bibi Golam into a film. It is set in the 19th century during the British Raj and focuses on Bhoothnath (Dutt), who meets Chhoti Bahu (Kumari), the lonely wife of a zamindar (Rehman). The film follows Chhoti Bahu's effort to keep her husband—who likes drinking and watching tawaifs perform—at their home by drinking with him. She becomes addicted to alcohol, leading both of them into bankruptcy.

    The book's rights were bought after his production venture Chaudhvin Ka Chand (1960) became commercially successful and covered his company's loss following the failure of Kaagaz Ke Phool (1959), his previous directorial project. Mitra and Alvi took a year to write the screenplay, facing difficulties in translating the novel from Bengali to Hindi. Principal photography took place in Andheri and Dhanyakuria with cinematographer V. K. Murthy; the film was edited by Y. G. Chawhan. Hemant Kumar composed the soundtrack and Shakeel Badayuni wrote the lyrics. (Full article...)
  • Image 9 Minsara Kanavu (transl. The electric dream) is a 1997 Indian Tamil-language musical romantic comedy film that was co-written and directed by Rajiv Menon. The film stars Arvind Swamy, Prabhu Deva, and Kajol in her Tamil debut, and revolves around Priya (Kajol), a convent student who wants to become a nun. Having returned to India from his studies overseas, Thomas (Swamy)—Priya's childhood friend—falls in love with her following their first meeting at her convent. With the help of hairstylist Deva (Prabhu Deva), who is known for his ability to change woman's minds, Thomas tries to dissuade Priya from her ambition but Deva instead falls in love with her. AVM Productions wanted to make a film to celebrate their golden jubilee in 1997. The project, which would be titled Minsara Kanavu, was produced by M. Saravanan, M. Balasubramanian, and M. S. Guhan. Menon responded to an advertisement for a director and cinematographer, and made his directorial debut with the film. Venu and Ravi K. Chandran completed the principal photography, and Prabhu Deva choreographed the film. A. R. Rahman composed the soundtrack, which received positive reviews, and the songs "Mana Madurai", "Strawberry", "Thanga Thamarai", and "Vennilave" became popular. (Full article...)
    Minsara Kanavu (transl. The electric dream) is a 1997 Indian Tamil-language musical romantic comedy film that was co-written and directed by Rajiv Menon. The film stars Arvind Swamy, Prabhu Deva, and Kajol in her Tamil debut, and revolves around Priya (Kajol), a convent student who wants to become a nun. Having returned to India from his studies overseas, Thomas (Swamy)—Priya's childhood friend—falls in love with her following their first meeting at her convent. With the help of hairstylist Deva (Prabhu Deva), who is known for his ability to change woman's minds, Thomas tries to dissuade Priya from her ambition but Deva instead falls in love with her.

    AVM Productions wanted to make a film to celebrate their golden jubilee in 1997. The project, which would be titled Minsara Kanavu, was produced by M. Saravanan, M. Balasubramanian, and M. S. Guhan. Menon responded to an advertisement for a director and cinematographer, and made his directorial debut with the film. Venu and Ravi K. Chandran completed the principal photography, and Prabhu Deva choreographed the film. A. R. Rahman composed the soundtrack, which received positive reviews, and the songs "Mana Madurai", "Strawberry", "Thanga Thamarai", and "Vennilave" became popular. (Full article...)
  • Image 10 Dhoom 2 (transl. Blast 2), also known as Dhoom 2: Back in Action, is a 2006 Indian Hindi-language action thriller film directed by Sanjay Gadhvi with script and dialogues written by Vijay Krishna Acharya from a story by Aditya Chopra, who produced the film under Yash Raj Films. The film, a sequel to Dhoom and the second installment of the Dhoom series, stars Hrithik Roshan, Abhishek Bachchan, Aishwarya Rai, Uday Chopra, and Bipasha Basu. Dhoom 2 was shot primarily in India, Durban and Rio de Janeiro, becoming the first major Hindi film to be shot in Brazil. Dhoom 2 was released on 24 November 2006 to positive reviews from critics, with praise for its action sequences, soundtrack, cinematography and cast performances (particularly Roshan), but criticism for its script and pacing. The film grossed over ₹1.514 billion and became the highest grossing Hindi film of 2006. It became the highest-grossing Hindi film of all time at the time of its release, before being surpassed by Om Shanti Om (2007), and the second highest-grossing Hindi film in overseas markets behind Kabhi Alvida Naa Kehna (2006), also co-starring Bachchan. (Full article...)
    Dhoom 2 (transl. Blast 2), also known as Dhoom 2: Back in Action, is a 2006 Indian Hindi-language action thriller film directed by Sanjay Gadhvi with script and dialogues written by Vijay Krishna Acharya from a story by Aditya Chopra, who produced the film under Yash Raj Films. The film, a sequel to Dhoom and the second installment of the Dhoom series, stars Hrithik Roshan, Abhishek Bachchan, Aishwarya Rai, Uday Chopra, and Bipasha Basu.

    Dhoom 2 was shot primarily in India, Durban and Rio de Janeiro, becoming the first major Hindi film to be shot in Brazil. Dhoom 2 was released on 24 November 2006 to positive reviews from critics, with praise for its action sequences, soundtrack, cinematography and cast performances (particularly Roshan), but criticism for its script and pacing. The film grossed over ₹1.514 billion and became the highest grossing Hindi film of 2006. It became the highest-grossing Hindi film of all time at the time of its release, before being surpassed by Om Shanti Om (2007), and the second highest-grossing Hindi film in overseas markets behind Kabhi Alvida Naa Kehna (2006), also co-starring Bachchan. (Full article...)
  • Image 11 Dil Chahta Hai (transl. The Heart Desires) is a 2001 Indian Hindi-language comedy-drama film written and directed by Farhan Akhtar in his directoral debut. It was produced by Ritesh Sidhwani and released under the banner of Excel Entertainment (which Akhtar and Sidhwani co-founded), marking their cinematic debut. The film focuses on a significant transition period in the lives of three college-graduate friends (Aamir Khan, Saif Ali Khan and Akshaye Khanna). It also stars Preity Zinta, Sonali Kulkarni and Dimple Kapadia. Dil Chahta Hai was based on Akhtar's diary detailing his trips to Mumbai and New York City, and a story by a friend of his, Kassim Jagmagia, who would ultimately become a creative associate at Excel Entertainment. He started writing the screenplay in 1998 but finished it when the film's principal photography was started two years later. The film was produced on a budget of ₹80 million (US$920,000), and filming took place in both India and Australia. It was one of the first films shot in sync sound, with Nakul Kamte and H. Sridhar handling its sound recording. The trio Shankar–Ehsaan–Loy, with lyrics penned by Akhtar's father, Javed Akhtar, composed the soundtrack and the background score. (Full article...)
    Dil Chahta Hai (transl. The Heart Desires) is a 2001 Indian Hindi-language comedy-drama film written and directed by Farhan Akhtar in his directoral debut. It was produced by Ritesh Sidhwani and released under the banner of Excel Entertainment (which Akhtar and Sidhwani co-founded), marking their cinematic debut. The film focuses on a significant transition period in the lives of three college-graduate friends (Aamir Khan, Saif Ali Khan and Akshaye Khanna). It also stars Preity Zinta, Sonali Kulkarni and Dimple Kapadia.

    Dil Chahta Hai was based on Akhtar's diary detailing his trips to Mumbai and New York City, and a story by a friend of his, Kassim Jagmagia, who would ultimately become a creative associate at Excel Entertainment. He started writing the screenplay in 1998 but finished it when the film's principal photography was started two years later. The film was produced on a budget of ₹80 million (US$920,000), and filming took place in both India and Australia. It was one of the first films shot in sync sound, with Nakul Kamte and H. Sridhar handling its sound recording. The trio Shankar–Ehsaan–Loy, with lyrics penned by Akhtar's father, Javed Akhtar, composed the soundtrack and the background score. (Full article...)
  • Image 12 Indian camp scene The Third Anglo-Maratha War (1817–1819) was the final and decisive conflict between the British East India Company and the Maratha Confederacy in India. The war left the Company in control of most of India. It began with an invasion of Maratha territory by British East India Company troops, and although the British were outnumbered, the Maratha army was decimated. The troops were led by Governor General Hastings, supported by a force under General Thomas Hislop. Operations began against the Pindaris, a band of Muslim mercenaries and Marathas from central India. Peshwa Baji Rao II's forces, supported by those of Mudhoji II Bhonsle of Nagpur and Malharrao Holkar III of Indore, rose against the East India Company. They attemped to regain the power which they had lost to the British since the Second Anglo-Maratha War. Pressure and diplomacy convinced the fourth major Maratha leader, Daulatrao Scindia of Gwalior, to remain neutral even though he lost control of Rajasthan. (Full article...)

    Indian camp scene

    The Third Anglo-Maratha War (1817–1819) was the final and decisive conflict between the British East India Company and the Maratha Confederacy in India. The war left the Company in control of most of India. It began with an invasion of Maratha territory by British East India Company troops, and although the British were outnumbered, the Maratha army was decimated. The troops were led by Governor General Hastings, supported by a force under General Thomas Hislop. Operations began against the Pindaris, a band of Muslim mercenaries and Marathas from central India.

    Peshwa Baji Rao II's forces, supported by those of Mudhoji II Bhonsle of Nagpur and Malharrao Holkar III of Indore, rose against the East India Company. They attemped to regain the power which they had lost to the British since the Second Anglo-Maratha War. Pressure and diplomacy convinced the fourth major Maratha leader, Daulatrao Scindia of Gwalior, to remain neutral even though he lost control of Rajasthan. (Full article...)
  • Image 13 Statue of Śāriputra, depicting his "golden complexion" at Mahamevnawa Buddhist Monastery,Sri Lanka Śāriputra (Sanskrit: शारिपुत्र; Tibetan: ཤཱ་རིའི་བུ་, Pali: Sāriputta, lit. "the son of Śāri", born Upatiṣya, Pali: Upatissa) was one of the top disciples of the Buddha. He is considered the first of the Buddha's two chief male disciples, together with Maudgalyāyana (Pali: Moggallāna). Śāriputra had a key leadership role in the ministry of the Buddha and is considered in many Buddhist schools to have been important in the development of the Buddhist Abhidharma. He frequently appears in Mahayana sutras, and in some sutras, is used as a counterpoint to represent the Hinayana school of Buddhism. Historians believe Śāriputra was born in the ancient Indian kingdom of Magadha around the 6th or 5th century BCE. Buddhist texts relate that Śāriputra and Maudgalyāyana were childhood friends who became spiritual wanderers in their youth. After having searched for spiritual truth with other contemporary teachers, they came into contact with the teachings of the Buddha and ordained as monks under him, after which the Buddha declared the friends his two chief disciples. Śāriputra was said to have attained enlightenment as an arhat two weeks after ordination. As chief disciple Śāriputra assumed a leadership role in the Sangha, doing tasks like looking after monks, assigning them objects of meditation, and clarifying points of doctrine. He was the first disciple the Buddha allowed to ordain other monks. Śāriputra died shortly before the Buddha in his hometown and was cremated. According to Buddhist texts, his relics were then enshrined at Jetavana Monastery. Archaeological findings from the 1800s suggest his relics may have been redistributed across the Indian subcontinent by subsequent kings. (Full article...)

    Statue of Śāriputra, depicting his "golden complexion" at Mahamevnawa Buddhist Monastery,Sri Lanka

    Śāriputra (Sanskrit: शारिपुत्र; Tibetan: ཤཱ་རིའི་བུ་, Pali: Sāriputta, lit. "the son of Śāri", born Upatiṣya, Pali: Upatissa) was one of the top disciples of the Buddha. He is considered the first of the Buddha's two chief male disciples, together with Maudgalyāyana (Pali: Moggallāna). Śāriputra had a key leadership role in the ministry of the Buddha and is considered in many Buddhist schools to have been important in the development of the Buddhist Abhidharma. He frequently appears in Mahayana sutras, and in some sutras, is used as a counterpoint to represent the Hinayana school of Buddhism.

    Historians believe Śāriputra was born in the ancient Indian kingdom of Magadha around the 6th or 5th century BCE. Buddhist texts relate that Śāriputra and Maudgalyāyana were childhood friends who became spiritual wanderers in their youth. After having searched for spiritual truth with other contemporary teachers, they came into contact with the teachings of the Buddha and ordained as monks under him, after which the Buddha declared the friends his two chief disciples. Śāriputra was said to have attained enlightenment as an arhat two weeks after ordination. As chief disciple Śāriputra assumed a leadership role in the Sangha, doing tasks like looking after monks, assigning them objects of meditation, and clarifying points of doctrine. He was the first disciple the Buddha allowed to ordain other monks. Śāriputra died shortly before the Buddha in his hometown and was cremated. According to Buddhist texts, his relics were then enshrined at Jetavana Monastery. Archaeological findings from the 1800s suggest his relics may have been redistributed across the Indian subcontinent by subsequent kings. (Full article...)
  • Image 14 Gangaajal: The Holy Weapon (transl. Holy Water) is a 2003 Indian Hindi-language crime drama film written, directed, co-produced and edited by Prakash Jha. Featuring an ensemble cast of 87 actors, it revolves around the Superintendent of Police Amit Kumar (Ajay Devgn) who takes charge of the fictitious district of Tejpur, Bihar, known for its high crime rate and organised crime carried out by dons Sadhu (Mohan Joshi) and Sunder Yadav (Yashpal Sharma). Due to the local police's slow response to crimes, residents of the district resort to pouring acid in the eyes of the criminals as an instrument for extrajudicial justice. Following the release of his directorial debut Damul (1984), Jha conceived an idea for his next venture that would be titled Gangaajal, which would be about corruption and political violence. Jha was unfamiliar with the subject matter and had no desire to start production, and took twenty years to write the story. The film, announced in January 2001, was photographed by Arvind K; filming took 60 days and took place in Wai and Satara, both in Maharashtra, and sets were designed by Sukhwant Panigrahi. The film's soundtrack was composed by Sandesh Shandilya with lyrics by Akhilesh Sharma and a background score by the American composer Wayne Sharpe. (Full article...)
    Gangaajal: The Holy Weapon (transl. Holy Water) is a 2003 Indian Hindi-language crime drama film written, directed, co-produced and edited by Prakash Jha. Featuring an ensemble cast of 87 actors, it revolves around the Superintendent of Police Amit Kumar (Ajay Devgn) who takes charge of the fictitious district of Tejpur, Bihar, known for its high crime rate and organised crime carried out by dons Sadhu (Mohan Joshi) and Sunder Yadav (Yashpal Sharma). Due to the local police's slow response to crimes, residents of the district resort to pouring acid in the eyes of the criminals as an instrument for extrajudicial justice.

    Following the release of his directorial debut Damul (1984), Jha conceived an idea for his next venture that would be titled Gangaajal, which would be about corruption and political violence. Jha was unfamiliar with the subject matter and had no desire to start production, and took twenty years to write the story. The film, announced in January 2001, was photographed by Arvind K; filming took 60 days and took place in Wai and Satara, both in Maharashtra, and sets were designed by Sukhwant Panigrahi. The film's soundtrack was composed by Sandesh Shandilya with lyrics by Akhilesh Sharma and a background score by the American composer Wayne Sharpe. (Full article...)
  • Image 15 Mahadevi or Durga The Devi Upanishad (Sanskrit:देवी उपनिषत्), is one of the minor Upanishads of Hinduism and a text composed in Sanskrit. It is one of the 19 Upanishads attached to the Atharvaveda, and is classified as one of the eight Shakta Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism. The text was likely composed between 9th- to 14th-centuries CE. It refers to Mahadevi as representing all goddesses. The Devi Upanishad is part of the five Atharvashiras Upanishads important to Tantra and Shakta philosophy traditions. (Full article...)

    Mahadevi or Durga

    The Devi Upanishad (Sanskrit:देवी उपनिषत्), is one of the minor Upanishads of Hinduism and a text composed in Sanskrit. It is one of the 19 Upanishads attached to the Atharvaveda, and is classified as one of the eight Shakta Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism.

    The text was likely composed between 9th- to 14th-centuries CE. It refers to Mahadevi as representing all goddesses. The Devi Upanishad is part of the five Atharvashiras Upanishads important to Tantra and Shakta philosophy traditions. (Full article...)
  • Image 16 Portrait of Mah Laqa Bai Mah Laqa Bai (7 April 1768 – August 1824), born Chanda Bai, and sometimes referred to as Mah Laqa Chanda, was an Indian 18th century Urdu poet, courtesan (tawaif) and philanthropist based in Hyderabad. In 1824, she became the first female poet to have a diwan (collection of poems) of her work, a compilation of Urdu Ghazals named Gulzar-e-Mahlaqa, published posthumously. She lived in a period when Dakhini (a version of Urdu) was making its transition into the highly Persianized Urdu. Her literary contributions provide insight into such linguistic transformations in southern India. Mah Laqa Bai was an influential courtesan of the Deccan; the Nizam, ruler of Hyderabad, appointed her to the omarah (the highest nobility), and as a close affiliate at the court, she was discussed on state policies and accomplished assigned diplomatic engagements. An expert in spear throwing, tent pegging and archery, she accompanied Nizam II in three battles, hunting expeditions and camping. She moved in palanquin with guards and drummers announcing her arrival. (Full article...)

    Portrait of Mah Laqa Bai

    Mah Laqa Bai (7 April 1768 – August 1824), born Chanda Bai, and sometimes referred to as Mah Laqa Chanda, was an Indian 18th century Urdu poet, courtesan (tawaif)
    and philanthropist based in Hyderabad. In 1824, she became the first female poet to have a diwan (collection of poems) of her work, a compilation of Urdu Ghazals named Gulzar-e-Mahlaqa, published posthumously. She lived in a period when Dakhini (a version of Urdu) was making its transition into the highly Persianized Urdu. Her literary contributions provide insight into such linguistic transformations in southern India.

    Mah Laqa Bai was an influential courtesan of the Deccan; the Nizam, ruler of Hyderabad, appointed her to the omarah (the highest nobility), and as a close affiliate at the court, she was discussed on state policies and accomplished assigned diplomatic engagements. An expert in spear throwing, tent pegging and archery, she accompanied Nizam II in three battles, hunting expeditions and camping. She moved in palanquin with guards and drummers announcing her arrival. (Full article...)
  • Image 17 Cluster of temples in the southern part of Jagannath temple complex, including the Vimala temple (extreme right). c. 1890. The Vimala Temple or Bimala Temple is a Hindu temple dedicated to goddess Vimala or Bimala (ବିମଳା), located within the Jagannath Temple complex in Puri in the Indian state of Odisha. It is generally regarded as a Shakta pitha, among the holiest temples dedicated to the Hindu Goddess. The temple is located in the south-west corner of the inner enclosure of the Jagannath temple complex and on the western corner of the tower of Jagannath, next to the sacred pond Rohini kunda. The temple faces east and is built of sandstone and laterite. It is built in the Deula style with four components; vimana (structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). The temple was renovated around 2005 and is maintained by the Archaeological Survey of India, Bhubaneswar Circle. (Full article...)

    Cluster of temples in the southern part of Jagannath temple complex, including the Vimala temple (extreme right). c. 1890.

    The Vimala Temple or Bimala Temple is a Hindu temple dedicated to goddess Vimala or Bimala (ବିମଳା), located within the Jagannath Temple complex in Puri in the Indian state of Odisha. It is generally regarded as a Shakta pitha, among the holiest temples dedicated to the Hindu Goddess.

    The temple is located in the south-west corner of the inner enclosure of the Jagannath temple complex and on the western corner of the tower of Jagannath, next to the sacred pond Rohini kunda. The temple faces east and is built of sandstone and laterite. It is built in the Deula style with four components; vimana (structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). The temple was renovated around 2005 and is maintained by the Archaeological Survey of India, Bhubaneswar Circle. (Full article...)
  • Image 18 Deiva Magan (/ðɛɪvə məɡən/ transl. Divine Son) is a 1969 Indian Tamil-language drama film written and directed by A. C. Tirulokchander. An adaptation of the Bengali novel Ulka by Nihar Ranjan Gupta, it stars Sivaji Ganesan in three roles and Jayalalithaa, with Sundarrajan, M. N. Nambiar, Nagesh, V. Nagayya and Pandari Bai in supporting roles. The film is about a scarred man who attempts to reconnect with his estranged family. Following the 1957 film Ulka, Thayi Karulu (1962), Meri Surat Teri Ankhen (1963) and Thayin Karunai (1965), Deiva Magan is the fifth film adaptation of the novel. Its screenplay was written to be largely different from those of the earlier films, most of which were poorly received. The film was produced by Periyanna of Shanthi Films, photographed by Thambu and edited by B. Kanthasamy, and the dialogues were written by Aaroor Dass. (Full article...)
    Deiva Magan (/ðɛɪvə məɡən/ transl. Divine Son) is a 1969 Indian Tamil-language drama film written and directed by A. C. Tirulokchander. An adaptation of the Bengali novel Ulka by Nihar Ranjan Gupta, it stars Sivaji Ganesan in three roles and Jayalalithaa, with Sundarrajan, M. N. Nambiar, Nagesh, V. Nagayya and Pandari Bai in supporting roles. The film is about a scarred man who attempts to reconnect with his estranged family.

    Following the 1957 film Ulka, Thayi Karulu (1962), Meri Surat Teri Ankhen (1963) and Thayin Karunai (1965), Deiva Magan is the fifth film adaptation of the novel. Its screenplay was written to be largely different from those of the earlier films, most of which were poorly received. The film was produced by Periyanna of Shanthi Films, photographed by Thambu and edited by B. Kanthasamy, and the dialogues were written by Aaroor Dass. (Full article...)
  • Image 19 India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964. The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
    India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964.

    The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
  • Image 20 Taapsee in 2022 Tapasee Pannu (born 1 August 1987), professionally known as Taapsee Pannu, is an Indian actress who works in Hindi, Telugu and Tamil films. Pannu is the recipient of two Filmfare Awards and a Filmfare OTT Award. After a brief modelling career, Pannu made her acting debut with the 2010 Telugu film Jhummandi Naadam and went on to act in the 2011 Tamil film Aadukalam. She made her Hindi film debut with David Dhawan's comedy Chashme Baddoor (2013). After playing the leading lady in several Telugu and Tamil films, Pannu managed to get recognition for her performances in the Hindi spy thriller Baby (2015) and the courtroom drama Pink (2016), both of which were critical and commercial successes. (Full article...)

    Taapsee in 2022

    Tapasee Pannu (born 1 August 1987), professionally known as Taapsee Pannu, is an Indian actress who works in Hindi, Telugu and Tamil films. Pannu is the recipient of two Filmfare Awards and a Filmfare OTT Award.

    After a brief modelling career, Pannu made her acting debut with the 2010 Telugu film Jhummandi Naadam and went on to act in the 2011 Tamil film Aadukalam. She made her Hindi film debut with David Dhawan's comedy Chashme Baddoor (2013). After playing the leading lady in several Telugu and Tamil films, Pannu managed to get recognition for her performances in the Hindi spy thriller Baby (2015) and the courtroom drama Pink (2016), both of which were critical and commercial successes. (Full article...)
  • Image 21 C. Rajagopalachari leading the march along with the volunteers. The Vedaranyam March (also called the Vedaranyam Satyagraha) was a framework of the nonviolent civil disobedience movement in British India. Modeled on the lines of Dandi March, which was led by Mahatma Gandhi on the western coast of India the month before, it was organised to protest the salt tax imposed by the British Raj in the colonial India. C. Rajagopalachari, a close associate of Gandhi, led the march which had close to 150 volunteers, most of whom belonged to the Indian National Congress. It began at Trichinopoly (now Tiruchirappalli) on 13 April 1930 and proceeded for about 150 mi (240 km) towards the east before culminating at Vedaranyam, a small coastal town in the then Tanjore District. By collecting salt directly from the sea the marchers broke the salt law. As a part of the march, Rajagopalachari created awareness among the people by highlighting the importance of Khadi as well as social issues like caste discrimination. The campaign came to an end on 28 April 1930 when the participants were arrested by the colonial police force. Its leader Rajagopalachari was imprisoned for six months. The march along with the ones at Dandi and Dharasana drew worldwide attention to the Indian independence movement. (Full article...)
    C. Rajagopalachari leading the march along with the volunteers.


    The Vedaranyam March (also called the Vedaranyam Satyagraha) was a framework of the nonviolent civil disobedience movement in British India. Modeled on the lines of Dandi March, which was led by Mahatma Gandhi on the western coast of India the month before, it was organised to protest the salt tax imposed by the British Raj in the colonial India.

    C. Rajagopalachari, a close associate of Gandhi, led the march which had close to 150 volunteers, most of whom belonged to the Indian National Congress. It began at Trichinopoly (now Tiruchirappalli) on 13 April 1930 and proceeded for about 150 mi (240 km) towards the east before culminating at Vedaranyam, a small coastal town in the then Tanjore District. By collecting salt directly from the sea the marchers broke the salt law. As a part of the march, Rajagopalachari created awareness among the people by highlighting the importance of Khadi as well as social issues like caste discrimination. The campaign came to an end on 28 April 1930 when the participants were arrested by the colonial police force. Its leader Rajagopalachari was imprisoned for six months. The march along with the ones at Dandi and Dharasana drew worldwide attention to the Indian independence movement. (Full article...)
  • Image 22 Love Sex Aur Dhokha (transl. Love, Sex and Betrayal), also known by the initialism LSD, is a 2010 Indian Hindi-language anthology found footage drama film directed and written by Dibakar Banerjee, and co-written by Kanu Behl. Jointly produced by Ekta Kapoor, Shobha Kapoor, and Priya Sreedharan under the banner of ALT Entertainment, the film stars mostly newcomers including Anshuman Jha, Nushrat Bharucha, Rajkummar Rao, Neha Chauhan, Amit Sial, Herry Tangri and Ashish Sharma. It has three separate but interlinked stories about an honour killing, an MMS scandal, and sting operations. Banerjee conceived the film after he came across several video clips containing sexual content including the DPS MMS clip and wanted to explore what led to that situation. He then wrote two short stories, which he later expanded into three. The film was made entirely using digital formats with different cameras, including a handycam, an amateur film camera, a security camera, an underwater camera, and spy cameras. Nikos Andritsakis served as the film's cinematographer and Namrata Rao was its editor. The film's soundtrack was composed by Sneha Khanwalkar and the lyrics were written by Banerjee. (Full article...)
    Love Sex Aur Dhokha (transl. Love, Sex and Betrayal), also known by the initialism LSD, is a 2010 Indian Hindi-language anthology found footage drama film directed and written by Dibakar Banerjee, and co-written by Kanu Behl. Jointly produced by Ekta Kapoor, Shobha Kapoor, and Priya Sreedharan under the banner of ALT Entertainment, the film stars mostly newcomers including Anshuman Jha, Nushrat Bharucha, Rajkummar Rao, Neha Chauhan, Amit Sial, Herry Tangri and Ashish Sharma. It has three separate but interlinked stories about an honour killing, an MMS scandal, and sting operations.

    Banerjee conceived the film after he came across several video clips containing sexual content including the DPS MMS clip and wanted to explore what led to that situation. He then wrote two short stories, which he later expanded into three. The film was made entirely using digital formats with different cameras, including a handycam, an amateur film camera, a security camera, an underwater camera, and spy cameras. Nikos Andritsakis served as the film's cinematographer and Namrata Rao was its editor. The film's soundtrack was composed by Sneha Khanwalkar and the lyrics were written by Banerjee. (Full article...)
  • Image 23 There are literary, archaeological, epigraphic and numismatic sources of ancient Tamil history. The foremost among these sources is the Sangam literature, generally dated to 5th century BCE to 3rd century CE. The poems in Sangam literature contain vivid descriptions of the different aspects of life and society in Tamilakam during this age; scholars agree that, for the most part, these are reliable accounts. Greek and Roman literature, around the dawn of the Christian era, give details of the maritime trade between Tamilakam and the Roman empire, including the names and locations of many ports on both coasts of the Tamil country. Archaeological excavations of several sites in Tamil Nadu and Kerala have yielded remnants from the Sangam era, such as different kinds of pottery, pottery with inscriptions, imported ceramic ware, industrial objects, brick structures and spinning whorls. Techniques such as stratigraphy and paleography have helped establish the date of these items to the Sangam era. The excavated artifacts have provided evidence for existence of different economic activities mentioned in Sangam literature such as agriculture, weaving, smithy, gem cutting, building construction, pearl fishing and painting. (Full article...)
    There are literary, archaeological, epigraphic and numismatic sources of ancient Tamil history. The foremost among these sources is the Sangam literature, generally dated to 5th century BCE to 3rd century CE. The poems in Sangam literature contain vivid descriptions of the different aspects of life and society in Tamilakam during this age; scholars agree that, for the most part, these are reliable accounts. Greek and Roman literature, around the dawn of the Christian era, give details of the maritime trade between Tamilakam and the Roman empire, including the names and locations of many ports on both coasts of the Tamil country.

    Archaeological excavations of several sites in Tamil Nadu and Kerala have yielded remnants from the Sangam era, such as different kinds of pottery, pottery with inscriptions, imported ceramic ware, industrial objects, brick structures and spinning whorls. Techniques such as stratigraphy and paleography have helped establish the date of these items to the Sangam era. The excavated artifacts have provided evidence for existence of different economic activities mentioned in Sangam literature such as agriculture, weaving, smithy, gem cutting, building construction, pearl fishing and painting. (Full article...)
  • Image 24 Ganguly in 2008 Sourav Chandidas Ganguly (/sʃuːrəv ɡɛnɡuːlj/ ⓘ; natively spelled as Gangopadhyay; born 8 July 1972), also known as Dada (meaning "elder brother" in Bengali), is an Indian cricket commentator and former cricketer. He is popularly called the Maharaja of Indian Cricket. He was captain of the Indian national cricket team and is regarded as one of India's most successful cricket captains. As captain, he led Indian national team to win the 2002 ICC Champions Trophy and reach the final of the 2003 Cricket World Cup, the 2000 ICC Champions Trophy and the 2004 Asia Cup. Ganguly scored 11363 runs in his ODI career which stands at ninth position in the world for most runs scored in ODI matches. He was the third batsman to cross the 10,000 runs in One day cricket, after Sachin Tendulkar and Inzamam Ul Haq. He holds the record for highest score in an innings (183) by an Indian batsman in the ODI Cricket World Cup. In 2002, the Wisden Cricketers' Almanack ranked him the sixth greatest ODI batsman of all time. He announced his retirement from international cricket in 2008 and from all forms of cricket in 2012. (Full article...)

    Ganguly in 2008

    Sourav Chandidas Ganguly (/sʃuːrəv ɡɛnɡuːlj/ ⓘ; natively spelled as Gangopadhyay; born 8 July 1972), also known as Dada (meaning "elder brother" in Bengali), is an Indian cricket commentator and former cricketer. He is popularly called the Maharaja of Indian Cricket. He was captain of the Indian national cricket team and is regarded as one of India's most successful cricket captains. As captain, he led Indian national team to win the 2002 ICC Champions Trophy and reach the final of the 2003 Cricket World Cup, the 2000 ICC Champions Trophy and the 2004 Asia Cup.

    Ganguly scored 11363 runs in his ODI career which stands at ninth position in the world for most runs scored in ODI matches. He was the third batsman to cross the 10,000 runs in One day cricket, after Sachin Tendulkar and Inzamam Ul Haq. He holds the record for highest score in an innings (183) by an Indian batsman in the ODI Cricket World Cup. In 2002, the Wisden Cricketers' Almanack ranked him the sixth greatest ODI batsman of all time. He announced his retirement from international cricket in 2008 and from all forms of cricket in 2012. (Full article...)
  • Image 25 The 1998 North Indian Ocean cyclone season was an active season in annual cycle of tropical cyclone formation. The season has no official bounds but cyclones tend to form between April and December. These dates conventionally delimit the period of each year when most tropical cyclones form in the northern Indian Ocean. There are two main seas in the North Indian Ocean—the Bay of Bengal to the east of the Indian subcontinent and the Arabian Sea to the west of India. The official Regional Specialized Meteorological Centre in this basin is the India Meteorological Department (IMD), while the Joint Typhoon Warning Center releases unofficial advisories. An average of four to six storms form in the North Indian Ocean every season with peaks in May and November. Cyclones occurring between the meridians 45°E and 100°E are included in the season by the IMD. With eleven depressions and eight tropical cyclones, this was one of the most active seasons in the ocean along with 1987, 1996, and 2005. The season caused a large loss of life, most of which was from one storm. Over 10,000 people were killed in India when Tropical Cyclone 03A brought a 4.9-metre (16-foot) storm surge to the Kathiawar Peninsula, inundating numerous salt mines. Total damages from the storm amounted to Rs. 120 billion (US$3 billion). Tropical Cyclone 01B killed at least 26 people and left at least 4,000 fishermen missing in eastern Bangladesh on May 20. A short lived depression in mid-October killed 122 people after triggering severe flooding in Andhra Pradesh. In November, Tropical Cyclone 06B killed six people and caused property damage worth BTN 880 million (US$20.7 million) in eastern India. An additional 40 people were killed and 100 fishermen were listed as missing after Tropical Cyclone 07B affected Bangladesh. (Full article...)

    The 1998 North Indian Ocean cyclone season was an active season in annual cycle of tropical cyclone formation. The season has no official bounds but cyclones tend to form between April and December. These dates conventionally delimit the period of each year when most tropical cyclones form in the northern Indian Ocean. There are two main seas in the North Indian Ocean—the Bay of Bengal to the east of the Indian subcontinent and the Arabian Sea to the west of India. The official Regional Specialized Meteorological Centre in this basin is the India Meteorological Department (IMD), while the Joint Typhoon Warning Center releases unofficial advisories. An average of four to six storms form in the North Indian Ocean every season with peaks in May and November. Cyclones occurring between the meridians 45°E and 100°E are included in the season by the IMD.

    With eleven depressions and eight tropical cyclones, this was one of the most active seasons in the ocean along with 1987, 1996, and 2005. The season caused a large loss of life, most of which was from one storm. Over 10,000 people were killed in India when Tropical Cyclone 03A brought a 4.9-metre (16-foot) storm surge to the Kathiawar Peninsula, inundating numerous salt mines. Total damages from the storm amounted to Rs. 120 billion (US$3 billion). Tropical Cyclone 01B killed at least 26 people and left at least 4,000 fishermen missing in eastern Bangladesh on May 20. A short lived depression in mid-October killed 122 people after triggering severe flooding in Andhra Pradesh. In November, Tropical Cyclone 06B killed six people and caused property damage worth BTN 880 million (US$20.7 million) in eastern India. An additional 40 people were killed and 100 fishermen were listed as missing after Tropical Cyclone 07B affected Bangladesh. (Full article...)
More good articles

News

29 January 2025 – 2025 Prayag Kumbh Mela
At least 30 people are killed in a crowd crush at a Hindu festival in Prayagraj, Uttar Pradesh, India. (BBC News)
29 January 2025 – 2025 Light Air Services Beechcraft 1900 crash
A Beechcraft 1900D carrying employees of an oil company crashes in Unity, South Sudan, killing 20 of the 21 people onboard, including one Indian and two Chinese nationals. (CNN) (Reuters)
27 January 2025 – China–India relations
Following the meeting between Indian Foreign Secretary Vikram Misri and Chinese Foreign Minister Wang Yi in Beijing, China and India agree to resume direct air travel between the two countries after a five-year hiatus. (CNA).
22 January 2025 – 2025 Jalgaon train accident
At least thirteen people are killed in a railway accident in Jalgaon, Maharashtra, India. The victims had initially fled from their train following an alleged fire alarm and were subsequently struck and killed by a passing train on the adjacent tracks. (BBC)
20 January 2025 – 2024 Kolkata rape and murder
A court in Kolkata, India, sentences a 33-year-old police volunteer to life in prison for raping and murdering a medical trainee in August 2024. (DW)

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